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  1. 13 de may. de 2024 · Sidney Lumet (born June 25, 1924, Philadelphia, Pennsylvania, U.S.—died April 9, 2011, New York, New York) was an American film director who was noted for his psychological dramas, which typically featured characters wrestling with moral or emotional conflicts involving betrayal, corruption, or disillusionment.

  2. 3 de may. de 2021 · Nancy Buirski’s 2015 documentary, By Sidney Lumet, attests to the fact that Lumet’s familial and artistic patrimony emerged from New York’s Yiddish Theatre. The son of Polish Jewish emigrants, Lumet’s mother was a dancer and his father an actor, director, producer and writer. The dramaturgical dimension to Lumet’s craft has been a ...

  3. 7 de dic. de 2016 · In 1935, 11-year-old Lumet made his Broadway debut in a play called Dead End, written by Pulitzer Prize-winning playwright Sidney Kingsley. Lumet quickly became a child star, appearing in at least ...

  4. Film legend Sidney Lumet (1924-2011) tells his own story in a never-before-seen interview shot in 2008. With candor, humor and grace, Lumet reveals what matters to him as an artist and as a human ...

  5. Sidney Lumet (1924 - 2011) fue un director y personaje de Estados Unidos conocido por Doce hombres sin piedad, Antes que el diablo sepa que has muerto, Tarde de perros, Serpico, Asesinato en el Orient Express, Network, un mundo implacable, Veredicto final, Declaradme culpable, El abogado del diablo y Punto límite

  6. The wonderful Sidney Lumet is one of the greatest film directors of all time. His first project was the timeless 12 Angry Men, which was in collaboration with Henry Fonda and a huge critical success. From his success on 12 Angry Men in 1957, Sidney Lumet has created many gritty, excellent, well crafted films for over 50 years. Here are 20 of his very best.

  7. 15 de ago. de 2023 · Sidney Lumet’s “The Verdict” is the best courtroom drama ever. It is also one of those rare features that doesn’t wear down with repeated viewings. That would seem odd for an entry that’s best remembered for the shock of its resolution, which should only be able to surprise the audience the first time around.