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  1. Hace 3 días · George, the seventh in descent from Sir Nicholas, was created a Baronet in 1611. Sir Thomas, the second baronet, (grandson of Sir Nicholas) married a coheiress of Morewood; his grandson, Sir Thomas, the fourth baronet, a coheiress of Sir William Bowyer, Bart, of Staffordshire.

    • Sir Geoffrey William Millais, 4th Bt.1
    • Sir Geoffrey William Millais, 4th Bt.2
    • Sir Geoffrey William Millais, 4th Bt.3
    • Sir Geoffrey William Millais, 4th Bt.4
    • Sir Geoffrey William Millais, 4th Bt.5
  2. en.wikipedia.org › wiki › Ham_HouseHam House - Wikipedia

    Hace 1 día · Ham House is a 17th-century house set in formal gardens on the bank of the River Thames in Ham, south of Richmond in the London Borough of Richmond upon Thames. The original house was completed in 1610 by Thomas Vavasour, an Elizabethan courtier and Knight Marshal to James I.

    • 10 January 1950
    • England
  3. Hace 2 días · For three hundred years the Grosvenor family has owned large estates in what are now some of the most valuable parts of Westminster. These estates were acquired in 1677 through the marriage of Sir Thomas Grosvenor with Mary Davies, the infant daughter and heiress of a scrivener in the City of London.

  4. Hace 4 días · A lo largo de su carrera, Millais desafió las normas artísticas convencionales enfatizando el realismo detallado y la representación naturalista.Las hojas de otoño se consideran una de las obras más importantes de Millais, mostrando su dominio del color, la luz y la composición.

  5. Hace 3 días · The gentry were thus 'a kind of lesser nobility' whom, as K. B. McFarlane long ago suggested, were what remained when the parliamentary baronage were defined in the fourteenth century. Professor Nigel Saul has traced the emergence of ranks within the gentry.

  6. Hace 2 días · , 'Index : K-Z', in A History of the County of Chester: Volume 5 Part 1, the City of Chester: General History and Topography, (London, 2003) pp. 281-288.

  7. Hace 5 días · それらの多くは初期の原色も鮮やかな緻密な描写とは異なりベラスケスなどに学んだ大胆な筆遣いを見せるようになりしばしば子供達に当てられる光が暗い背景からその姿を浮かび上がらせ印象的な効果を高めている。 本作品は、画面上の年記から1889年に描かれたものであることがわかり、同年リーンズ・ギャラリーにDucklings(あひるの子)として出品された作品にあたると考えられる。 特定の少女の肖像画として描かれたものではなく、その題名が示すように、画面の手前に見えるあひるの子と少女が重ね合わされた、寓意的風俗画と解釈される。