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  1. Hace 3 días · Nicholas Roerich. The Rite of Spring [n 1] (French: Le Sacre du printemps) is a ballet and orchestral concert work by the Russian composer Igor Stravinsky. It was written for the 1913 Paris season of Sergei Diaghilev 's Ballets Russes company; the original choreography was by Vaslav Nijinsky with stage designs and costumes by Nicholas Roerich.

    • Russian: Весна священная, romanized: Vesna svyashchennaya, lit. 'Sacred Spring'
    • Igor Stravinsky
  2. 12 de abr. de 2024 · Cada escultura representa una interpretación abstracta y lúdica de la música de Stravinsky, con formas geométricas y colores brillantes que reflejan la energía y el ritmo de sus composiciones. La combinación de elementos cinéticos y estáticos en la fuente crea una sensación de movimiento y dinamismo, invitando a los ...

  3. Hace 6 días · The Stravinsky evening at the Finnish National Ballet offers a fresh take on his original works, combining his music with innovative choreography and stunning visuals. Sacre is a choreography by Goyo Montero to the music of Le Sacre du Printemps.

  4. Hace 6 días · Stravinsky, Bartók, Martinů (Frank Peter Zimmermann, Bamberg Symphony Orchestra, Jakob Hrůša) Zimmermann weaves his magic from Stravinsky to Bartók. Editor's Choice - May 2024. by Greg Keane on 19 April, 2024. A critic once wrote that Stravinsky’s Violin Concerto sounded “very nasty indeed … as if it were being played with a wire ...

  5. 2 de abr. de 2024 · She sings the Nightingale’s lines with grace and purity of line. Donald Gramm is somewhat miscast as the Emperor. His baritone sounds a bit throaty on this recording which doesn’t adequately convey a sense of the stature of the Imperial Ruler. Both Kenneth Smith and Marina Picassi perform ably as the Chamberlain and the Cook.

  6. 18 de abr. de 2024 · Threni by Igor Stravinsky. Bars 83–84, 91, and 165 are in 8 8. 8 16. Abraham and Isaac by Igor Stravinsky, at measure 159. Agon by Igor Stravinsky. Measure 423 is in parenthesized 8 16. Canticum Sacrum by Igor Stravinsky, at measures 71–72. 20 Caprices and Rhythmic Studies, by Émile Jaques-Dalcroze, in Nos. 3, 5, 10, and 16.