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  1. en.wikipedia.org › wiki › Moten_SwingMoten Swing - Wikipedia

    "Moten Swing" (originally "Moten's Swing") is a 1932 jazz standard by Bennie Moten and his Kansas City Orchestra. It was an important jazz standard in the move towards a freer form of orchestral jazz and the development of Swing music.

    • 1932
  2. Swingin' on the Town is an album by American jazz trumpeter Roy Eldridge recorded in 1960 and released on the Verve label. [1] [2] Reception. Allmusic awarded the album 4 stars stating "Eldridge is the focus here, and his performances are supple, swinging and charming.

    • 36:37
    • 1960
    • June 2 & 3, 1960, New York City
    • Jazz
  3. en.wikipedia.org › wiki › Benny_MotenBenny Moten - Wikipedia

    Benny Moten (November 30, 1916 – March 27, 1977) was an American jazz bassist. Moten had a long career as a sideman from the early 1940s, including with Hot Lips Page , Jerry Jerome , Red Allen (1942–49, 1955–65 intermittently), Eddie South , Stuff Smith , Arnett Cobb , Ella Fitzgerald , Wilbur De Paris (1956–57), Buster Bailey , Roy Eldridge , and Dakota Staton (1961–63).

  4. Bennie Moten (Kansas City, Misuri, 13 de noviembre de 1894 - 2 de abril de 1935) fue un pianista, compositor y director de orquesta de jazz-swing. Comenzó siendo aún niño, tocando el saxhorn en un grupo de metales de su ciudad natal.

    • Estadounidense
  5. 14 de sept. de 2021 · One of my earliest purchases in the select list of issues was Roy Eldridge: Swingin’ on the Town [Verve 314 559 828-2] which was originally released as a Verve LP in 1960 with Roy’s mellifluous and swinging trumpet accompanied by Ronnie Ball [p], Benny Moten [b], and Eddie Locke [d].

    • Steven Cerra
  6. 16 de nov. de 2010 · The core of his ensemble eventually became the Count Basie Orchestra, and his big band's style came to represent his hometown's sound. And he would have been 116 last Saturday. So I picked out his ...

  7. and the maturation process of midwestern musicians, arrangers, and bandleaders in this decade, these recordings, though not always stellar, deserve to be examined in their own right. Growth and assimilation are clear hallmarks of the 1920s Moten re-. cordings. These sides, made in eight sessions from 1923 to 1929, reveal.