Resultado de búsqueda
Hace 4 días · Creado en enero de 1979, este trío sería el último de Bill Evans. La nueva formación rápidamente cuajó y alcanzó una complicidad pasmosa que asombraba a Evans. Los dos acompañantes eran músicos generacionalmente posteriores y, sin embargo, se entendían a la perfección con el pianista.
Hace 1 día · This 1959 album was his second as a leader and perhaps his best, prior to the four albums he would release as a member of the Bill Evans Trio between 1959 and 1961 with Paul Motian and Scott LaFaro. All five of the albums mentioned above were released on Riverside. His debut as leader was also on Riverside, with his third album on Milestone ...
No longer was the Bill Evans Trio the independent, extra-sensory, equal-footed music unit - Evans leads, and the band listens. Stunning are the dream-like sequences of Moon Beams, aided by the choice of standards and ballads; the subliminal sound of post-LaFaro Evans is both heartbreaking, tragic and bittersweetly beautiful.
Hace 2 días · Artist: Bill Evans Trio Album: Waltz for Debby Genre: Modal Music, Post-Bop, Mainstream Jazz Label: Riverside CD Masterpiece Series Year Of Release: 1961/1986 Format: FLAC (tracks+.cue) Tracklist: My Foolish Heart (Washington-Young) – 4:54 Waltz for Debby (Evans) – 7:00 Detour Ahead (Carter-Ellis-Frigo) – 7:36 My Romance (Rodgers-Hart) – 7:12 Some Other Time (Comden-Green-Bernstein ...
Hace 4 días · Speaker : Focal Sopra No.3Amplifier : Goldmund Telos 590 Next Gen 2Phono Amplifier : Manley Chinook Transformer : Lundahl LL1941Turntable : Kuzma Stabi STone...
- 7 min
- 1
- Wittgen
Hace 2 días · 2024-04-16. This came out in 2004 – or at least that’s when I got it. Here’s what I said about it back then (with some minor editing): THE SKINNY: Jazz piano trailblazer Bill Evans and his rhythm section recorded this crisply produced set of introspective and moody ballads in 1977. THE OLDIES: A hauntingly pretty version of The Theme From ...
Hace 2 días · El pianista Bill Evans los empleó generosamente en Kind of Blue para darle al disco un brillo moderno y sofisticado. En ninguna parte esto es más evidente que en la canción “So What”, donde utilizó una voz cuartal de primera inversión a dos manos para la sección de introducción de llamada y respuesta de bajo y piano.
