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The Hissing of Summer Lawns (que en español significa «El silbido del pasto de verano») es el séptimo álbum de estudio de la cantante canadiense Joni Mitchell, publicado a finales de 1975 por Asylum Records.
- 1975
- Folk jazz, avant-pop[1], art rock[2]
- noviembre de 1975
The Hissing of Summer Lawns is the seventh studio album by the Canadian-American singer-songwriter Joni Mitchell, released in November 1975 on Asylum Records. It continues the jazz-influenced sound of Mitchell's previous album, Court and Spark, with more unconventional and experimental material.
- Joni Mitchell
- November 1975
- 1975
19 de may. de 2017 · The Hissing of Summer Lawns. The confessor turns anthropologist. A bold move into the depths of suburbia. by David Cavanagh. UNCUT. December 2020. Original article: This article originally appeared in the first edition of the Ultimate Music Guide published on May 19, 2017.
With The Hissing of Summer Lawns nobody could any longer call her a ‘confessional songwriter’ (try to find any reference to ‘I’ in this album’s lyrics). Instead, much of the album is devoted to the ennui and the superficiality of upper middle-class America, especially the trophy wives. These were the baby-boomer women who were moulded ...
- Classic Album Sundays
3 de jun. de 2019 · by Laura Kaminker. We Move To Canada. December 25, 2018. Joni's seventh studio album (her ninth album overall) is both a continuation and a departure. The Hissing of Summer Lawns is rich and multi-layered, somewhat enigmatic, full of interesting images and sounds that are open to interpretation.
The Hissing of Summer Lawns (Asylum, 1975) With B.B. King. Midnight Believer (ABC, 1978) Take It Home (ABC, 1979) With Wendy Waldman. Love Has Got Me (Warner Bros., 1973) With Randy Newman. Sail Away (Reprise, 1972) With Shuggie Otis. Here Comes Shuggie Otis (Epic, 1970) Freedom Flight (Epic, 1971) With Dusty Springfield. Cameo (ABC, 1973) With ...
2 de feb. de 2024 · Joni gets major help on a few side one cuts from Wilton Felder of The Crusaders, who absolutely tears it up on bass. Another Crusader, Joe Sample, contributes nicely on keys, while session wizards such as Larry Carlton, Victor Feldman , Robben Ford, and Bud Shank all add their own unique and jazzy flourishes.
