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  1. The Jazz Singer ( El cantante de jazz o El cantor de jazz) es el primer largometraje comercial con sonido sincronizado. Nota 1 Fue dirigido por Alan Crosland 3 y estrenado el 6 de octubre de 1927. Esta película tuvo dos versiones posteriores, la primera de Michael Curtiz en 1952, con Danny Thomas, 4 y la segunda de Richard Fleischer en 1980, ...

    • El cantante de jazz, El cantor de jazz
    • Alan Crosland
  2. The Jazz Singer is a 1927 American part-talkie musical drama film directed by Alan Crosland and produced by Warner Bros. Pictures. It is the first feature-length motion picture with both synchronized recorded music and lip-synchronous singing and speech (in several isolated sequences).

  3. 11 de ene. de 2017 · También en Hipertextual: 'The Jazz Singer' es considerada la primera película sonora en la historia del cine. El sonido se quedó para siempre y transformó toda la industria.

  4. 19 de dic. de 1980 · The Jazz Singer: Directed by Richard Fleischer, Sidney J. Furie. With Neil Diamond, Laurence Olivier, Lucie Arnaz, Catlin Adams. The son of a Jewish Cantor must defy the traditions of his religious father in order to pursue his dream of being a popular singer.

    • (4.9K)
    • Drama, Music, Romance
    • Richard Fleischer, Sidney J. Furie
    • 1980-12-19
  5. The Jazz Singer is a 1980 American musical drama film directed by Richard Fleischer and produced by Jerry Leider. The film stars Neil Diamond (in his acting debut), Laurence Olivier and Lucie Arnaz, and tells the story of a young singer who is torn between tradition and pursuing his dreams as a pop singer. Based on the 1925 play of ...

    • December 19, 1980
  6. The Jazz Singer: Directed by Alan Crosland. With Al Jolson, May McAvoy, Warner Oland, Eugenie Besserer. The son of a Jewish Cantor must defy the traditions of his religious father in order to pursue his dream of becoming a jazz singer.

  7. 5 de abr. de 2024 · The Jazz Singer, American musical film, released in 1927, that was the first feature-length movie with synchronized dialogue. It marked the ascendancy of “talkies” and the end of the silent-film era. (Read Lillian Gish’s 1929 Britannica essay on silent film.) On Yom Kippur, cantor Rabinowitz

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