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28 de dic. de 2011 · John Ford and John Wayne together created much of the mythology of the Old West we carry in our minds. Beginning with "Stagecoach" (1939), continuing from 1948 through 1950 with the Cavalry Trilogy ("Fort Apache," "She Wore a Yellow Ribbon" and "Rio Grande"), and finally to 1962 and "The Man Who Shot Liberty Valance," together in 10 features they largely formed the templates of the Hollywood ...
14 de jun. de 2008 · Gene Pitney - (The Man Who Shot) Liiberty Valance - Peak Position:#4 in 1962
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Man Who Shot Liberty Valance, The (1962) -- (Movie Clip) I Hate Tricks, Pilgrim John Wayne as rough-hewn rancher Tom Doniphon has come to consider city-born lawyer Ranse (James Stewart) a rival for his girl, but also feels some duty to warn him against confronting the notorious outlaw, thus this famous scene from John Ford’s The Man Who Shot Liberty Valance, 1962.
When the stagecoach is held up by outlaws, he is savagely beaten by Liberty Valance. He survives the attack and is nursed by his future wife, Hallie. Hallie is being wooed by local rancher Tom Doniphon. Ranse teaches the people of Shinbone to read and write, all the while trying to find a way of bringing Valance to justice.
23 de oct. de 2006 · Watch the trailer of The Man Who Shot Liberty Valance, a classic western film starring John Wayne and James Stewart. Find out how a legend is born and who really killed the notorious outlaw. Also ...
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16 de jun. de 2023 · The Man Who Shot Liberty Valance uses the star of most of those films, John Wayne, an actor who could certainly lay claim to being Hollywood's pre-eminent western star. It teamed him with James Stewart, an actor who had put aside his more genial image of the 1930s and '40s in a series of psychological westerns directed by Anthony Mann, beginning with Winchester '73 in 1950.
21 de mar. de 2024 · Costume design (black and white) Lee Pfeiffer. The Man Who Shot Liberty Valance, American western film, released in 1962, that was John Ford’s poetic and sombre look at the end of the Wild West era. Although atypical of his usual works, it is widely considered Ford’s last great movie and among his best westerns. The story opens with the return.
