Resultado de búsqueda
The Marriage Circle is a 1924 American silent comedy film produced and directed by Ernst Lubitsch and distributed by Warner Bros. Based on the play Only a Dream by Lothar Schmidt, the screenplay was written by Paul Bern.
- $427,000 (worldwide rentals)
- Ernst Lubitsch
- $212,000
- February 3, 1924 (New York)
The Marriage Circle: Directed by Ernst Lubitsch. With Florence Vidor, Monte Blue, Marie Prevost, Creighton Hale. Professor Stock and his wife Mizzi are always bickering. Mizzi tries to seduce Dr. Franz Braun, the new husband of her good friend Charlotte.
- (1.4K)
- Comedy
- Ernst Lubitsch
- 1924-02-10
Los peligros del Flirt es una película dirigida por Ernst Lubitsch con Adolphe Menjou, Marie Prevost, Monte Blue, Florence Vidor .... Año: 1924. Título original: The Marriage Circle. Sinopsis: El profesor Stock y su mujer Mizzi siempre están peleándose.
- (377)
- Estados Unidos
- Charles Van Enger (B&W)
- Ernst Lubitsch
Los peligros del Flirt película dirigida por Ernst Lubitsch y protagonizada por Florence Vidor, Monte Blue y Marie Prevost. Año: 1924. Sinopsis: El profesor Stock y su mujer Mizzi siempre están peleándose. Mizzi trata un día de de seducir al Dr. Franz Braun, el nuevo marido de su buena amiga Charlotte.
- (386)
- Florence Vidor
- Ernst Lubitsch
The Marriage Circle. Release Date. 1924. Director. Ernst Lubitsch. Cast. Florence Vidor. Monte Blue. Marie Prevost. Film Synopsis. Ernst Lubitsch's second American silent film is a mélange of marital missteps and misunderstandings, a merry-go-round for grown-ups.
22 de jun. de 2017 · The Marriage Circle. (Ernst Lubitsch, 1924) and the Early Days of the ‘Lubitsch Touch’. Isabella McNeill. June 2017. CTEQ Annotations on Film. Issue 83. Known for his skilful adaptations of pre-existing novellas and plays ( Trouble in Paradise (1932), Ninotchka (1933), The Shop Around the Corner (1940)), Ernst Lubitsch has always ...
THE MARRIAGE CIRCLE. Ernst Lubitsch United States, 1924. Comedy, Silent. 85. CAUTION. Ernst Lubitsch is most famous today for his sound comedies, but his wit was as visual as it was verbal, and he was one of the silent era’s hottest directors.