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20 de sept. de 2022 · the two paths by john ruskin. Publication date 1905 Collection internetarchivebooks Contributor Internet Archive Language English. Addeddate 2022-09-20 00: ...
- Preface.
- The Two Paths
- Lecture I. — The Deteriorative Power of Conventional Art Over Nations.
- Lecture II. — The Unity of Art.
- Lecture III. — Modern Manufacture and Design.
- Lecture IV. — Influence of Imagination in Architecture
- Lecture v. — The Work of Iron, in Nature, Art, and Policy.
- Appendices.
- Appendix II.
- Appendix III.
The following addresses, though spoken at different times, are intentionally connected in subject; their aim being to set one or two main principles of art in simple light before the general student, and to indicate their practical bearing on modern design. The law which it has been my effort chiefly to illustrate is the dependence of all noble des...
BEING
LECTURES ON ART, AND ITS APPLICATION TO DECORATION AND MANUFACTURE DELIVERED IN 1858-9.
An Inaugural Lecture, Delivered at the Kensington Museum, January, 1858. [Note: A few introductory words, in which, at the opening of this lecture, I thanked the Chairman (Mr. Cockerell), for his support on the occasion, and asked his pardon for any hasty expressions in my writings, which might have seemed discourteous towards him, or other archite...
Part of an Address delivered at Manchester, 14th March, 1859.
[Note: I was prevented, by press of other engagements, from preparing this address with the care I wished; and forced to trust to such expression as I could give at the moment to the points of principal importance; reading, however, the close of the preceding lecture, which I thought contained some truths that would bear repetition. The whole was reported, better than it deserved, by Mr. Pitman, of the Manchester Courier, and published nearly verbatim. I have here extracted, from the publishe...
A Lecture delivered at Bradford, March, 1859.
It is with a deep sense of necessity for your indulgence that I venture to address you to-night, or that I venture at any time to address the pupils of schools of design intended for the advancement of taste in special branches of manufacture. No person is able to give useful and definite help towards such special applications of art, unless he is entirely familiar with the conditions of labour and natures of material involved in the work; and indefinite help is little better than no help at...
An Address Delivered to the Members of the Architectural Association, in Lyon's Inn Hall, 1857. If we were to be asked abruptly, and required to answer briefly, what qualities chiefly distinguish great artists from feeble artists, we should answer, I suppose, first, their sensibility and tenderness; secondly, their imagination; and thirdly, their i...
A Lecture Delivered at Tunbridge Wells, February, 1858.
When first I heard that you wished me to address you this evening, it was a matter of some doubt with me whether I could find any subject that would possess any sufficient interest for you to justify my bringing you out of your comfortable houses on a winter's night. When I venture to speak about my own special business of art, it is almost always before students of art, among whom I may sometimes permit myself to be dull, if I can feel that I am useful: but a mere talk about art, especially...
RIGHT AND WRONG.
Readers who are using my Elements of Drawing may be surprised by my saying here that Tintoret may lead them wrong; while in the Elementshe is one of the six men named as being "always right." I bring the apparent inconsistency forward at the beginning of this Appendix, because the illustration of it will be farther useful in showing the real nature of the self-contradiction which is often alleged against me by careless readers. It is not only possible, but a frequent condition of human action...
REYNOLDS' DISAPPOINTMENT.
It is very fortunate that in the fragment of Mason's MSS., published lately by Mr. Cotton in his "Sir Joshua Reynolds' Notes," [Note: Smith, Soho Square, 1859.] record is preserved of Sir Joshua's feelings respecting the paintings in the window of New College, which might otherwise have been supposed to give his full sanction to this mode of painting on glass. Nothing can possibly be more curious, to my mind, than the great painter's expectations; or his having at all entertained the idea tha...
CLASSICAL ARCHITECTURE.
This passage in the lecture was illustrated by an enlargement of the woodcut, Fig. 1; but I did not choose to disfigure the middle of this book with it. It is copied from the 49th plate of the third edition of the Encyclopædia Britannica(Edinburgh, 1797), and represents an English farmhouse arranged on classical principles. If the reader cares to consult the work itself, he will find in the same plate another composition of similar propriety, and dignified by the addition of a pediment, benea...
By Robert Frost. Two roads diverged in a yellow wood, And sorry I could not travel both. And be one traveler, long I stood. And looked down one as far as I could. To where it bent in the undergrowth; Then took the other, as just as fair, And having perhaps the better claim, Because it was grassy and wanted wear; Though as for that the passing there
The Two Paths. by. Ruskin, John, 1819-1900. Collection. gutenberg. Contributor. Project Gutenberg. Language. English. Book from Project Gutenberg: The Two Paths. Addeddate. 2006-12-06. Call number. gutenberg etext# 7291. Copyright-region. US. Identifier. thetwopaths07291gut. Possible copyright status. NOT_IN_COPYRIGHT.
Sinopsis. Ruskin ties his aesthetic theories to real-world issues in The Two Paths. The main tenet of Ruskins theories of art was that while corrupt and despondent people, who work in unjust societies and rely on the tools of the industrial age, produce inferior art, contented people, who work in just societies and strive to capture the essence ...
1 de ene. de 2005 · About this eBook. Author. Ruskin, John, 1819-1900. Title. The Two Paths. Contents. The deteriorative power of conventional art over nations -- The unity of art -- Modern manufacture and design -- The influence of imagination in architecture -- The work of iron, in nature, art, and policy. Language.
5 de mar. de 2023 · The Two Paths by Ruskin, John, 1819-1900. Microsoft . Contributor Microsoft Language English Rights https://www.gutenberg ...
