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Theo van Doesburg (born August 30, 1883, Utrecht, Netherlands—died March 7, 1931, Davos, Switzerland) was a Dutch painter, decorator, poet, and art theorist who was the leader of the De Stijl movement. Composition IX, Opus 18: Abstract Version of Card Players, oil on canvas by Theo van Doesburg, 1917; in the Gemeente Museum, The Hague.
Theo van Doesburg, pseudoniem van Christian Emil Marie Küpper (Utrecht, 30 augustus 1883 – Davos, 7 maart 1931), was een Nederlands kunstenaar.Hij staat bekend als een van de belangrijkste vertegenwoordigers en propagandisten van de abstracte kunst in de 20e eeuw.
Theo van Doesburg (Utrecht, 30 de agosto de 1883 — Davos, 7 de março de 1931) foi um artista plástico, designer gráfico, poeta e arquitecto neerlandês. Associado ao Dadaísmo, ao Concretismo e ao Neoplasticismo holandês, e mais conhecido como um dos fundadores e líderes do De Stijl, exerceu importante influência na Bauhaus, embora não ...
Theo van Doesburg al Cafè de l'Aubette a Strasburgo, 1927 La composizione VII De drie gratiën (Le tre grazie) di Theo van Doesburg, 1917 Cafè de l'Aubette a Strasburgo, 1926-1927 Theo van Doesburg ( IPA : [ˈteːjoː vɑn ˈduzbɵrx] ), pseudonimo di Christian Emil Marie Küpper ( Utrecht , 30 agosto 1883 – Davos , 7 marzo 1931 ) è stato un pittore , architetto e scrittore olandese .
Theo van Doesburg was born Christian Emil Marie Küpper on 30 August 1883, in Utrecht, the Netherlands, as the son of the photographer Wilhelm Küpper (nl) and Henrietta Catherina Margadant. After a short training in acting and singing he decided to become a painter.
Theo Van Doesburg was one of the founders and leading theorists of De Stijl along with Piet Mondrian, which began in the Netherlands and flourished into one of the major inter-war movements. It advocated a simplified, geometric, and reductive aesthetic in the visual arts and argued that painting, design, and architecture should be fully integrated.
Theo Van Doesburg era probablemente uno de los partidarios más fervientes y, difusor del mensaje del Stijl en toda Europa, con la edición y publicación de la revista hasta su final en 1931. La corriente del Stijl fue la variación holandesa de la abstracción geométrica que se desarrolló en toda Europa.
