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6 de nov. de 2022 · Romae apud Angelum Gardanum. Content: The eighteen Tenebrae Responsories of Victoria, each for four voices (but with varying disposition of voices) are among his most inspired settings of sacred texts, adhering to strict liturgical form, with six responsories for the second and third nocturns of Matins for Maundy Thursday, Good ...
No.TitleSubgenreVoices1Tenebrae responsoriesSATB, ATTB, ATBB2Tenebrae responsoriesSSAT3Tenebrae responsoriesSATB4Tenebrae responsoriesSATB2 de sept. de 2013 · Tenebrae returns to the sublime music of Tomás Luis de Victoria on Signum with this recording of his timeless Tenebrae Responsories. The works mix the words of the Gospels with other texts commenting on collective suffering written around the 4th century, and would traditionally have been performed as part of a moving service in ...
#TitleDurationPrice1Responsories for Maundy Thursday Nocturn ...03:01£ 0.502Responsories for Maundy Thursday Nocturn ...02:24£ 0.503Responsories for Maundy Thursday Nocturn ...04:07£ 0.504Responsories for Maundy Thursday Nocturn ...03:31£ 0.501585. ( 1585) : Rome. Movements. 18. Scoring. SATB choir. The Tenebrae Responsories by Tomás Luis de Victoria are a set of eighteen motets for four voices a cappella. The late Renaissance Spanish composer set the Responsories for Holy Week known as Tenebrae responsories.
- Latin
- 1585: Rome
19 de mar. de 2017 · Spanish Renaissance composer Tomás Luis de Victoria’s eighteen Tenebrae Responsories, sung traditionally on the three nights preceding Easter, are among the most powerful and...
- 4 min
- 380
- St. Martin's Chamber Choir
Tomás Luis de Viztoria - Tenebrae Responsories [Lumen Valo]Feria V in coena Domini ad Matutinum - Maundy Thursday 1 | 0:00.00 Amicus meus osculi ...
- 54 min
- 8.1K
- Baroque Room
22 de nov. de 2014 · 1K. 93K views 9 years ago. Tenebrae Lumen Valo Soprano - Titta Lampela, Tuuli Oksanen ...more. TenebraeLumen ValoSoprano - Titta Lampela, Tuuli OksanenAlto - Hanna Graeffe, Riikka NoreilaTenor...
- 37 min
- 93.6K
- Iván Cuevas
Some of the most famous settings of the text are by Tomás Luis de Victoria (two settings for four voices: 1572 and 1585), Carlo Gesualdo (five voices: 1603; six voices: 1611), Marc-Antoine Charpentier, Second répons après la 1ère leçon du second nocturne du Vendredi saint, H.134, for 1 voice, flutes and continuo (1690) and Pablo ...