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  1. Valtesse de La Bigne, retratada por Édouard Manet. 1879. Valtesse de La Bigne, nacida Émilie-Louise Delabigne (París, 13 de julio de 1848-Ville-d'Avray, 29 de julio de 1910), fue una exitosa cortesana, actriz y escritora francesa.

    • Émilie-Louise Delabigne
    • cimetière de Ville d'Avray (fr)
  2. Émilie-Louise Delabigne, known as countess Valtesse de La Bigne (1848, in Paris – 29 July 1910, in Ville-d'Avray) was a French courtesan and demi-mondaine. [1] Although born to a working-class family in Paris, she rose through the social ranks and was a supporter of painters, while creating a space for women to participate in the art world ...

    • 29 July 1910, Ville-d'Avray, France
    • Émilie-Louise Delabigne, 1848, Paris, France
    • French
  3. Emilie-Louise Delabigne (1848–1910), Called Valtesse de la Bigne. Edouard Manet French. 1879. On view at The Met Fifth Avenue in Gallery 817. Manet’s sitter emerged from a grim early life to become one of the wealthiest and most fashionable courtesans in Paris.

  4. 30 de jun. de 2020 · Bequest of Emilie-Louise de la Bigne, known as Valtesse de la Bigne, 1911. © MAD, Paris Her bedroom (and, some say, she herself) became the inspiration for Emile Zola’s novel Nana , first published serially the same year as Manet’s portrait.

  5. 12 de oct. de 2023 · I became interested in Valtesse de la Bigne (1848-1910) when I read the liner notes of Opera Rara’s wonderful new recording of La Princesse de Trebizonde. Jean-Christophe Keck tells of the long-suffering Mrs Offenbach coming with the local police to eject Valtesse from the first night audience at the original premier of La Princesse de Trebizonde in Baden-Baden.

  6. Valtesse de La Bigne, nacida Émilie-Louise Delabigne ( París, 13 de julio de 1848 - Ville-d'Avray, 29 de julio de 1910 ), fue una exitosa cortesana, actriz y escritora francesa. Valtesse de La Bigne, retratada por Henri Gervex en 1879.

  7. 13 de ene. de 2017 · Issue Section: Reviews. In 1881, Valtesse de La Bigne, one of Paris’s pre-eminent courtesans, attended a performance of the stage adaptation of Zola’s Nana despite her profound objections: as the supposed inspiration for the eponymous character, the sophisticated Valtesse felt as though Zola had betrayed her — she sensed little ...