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Cretan school. Cretan school describes an important school of icon painting, under the umbrella of post-Byzantine art, [1] which flourished while Crete was under Venetian rule during the late Middle Ages, reaching its climax after the fall of Constantinople, becoming the central force in Greek painting during the 15th, 16th and 17th centuries.
1400 - 1500. Venetian painting was a major force in Italian Renaissance painting and beyond. Beginning with the work of Giovanni Bellini and his brother Gentile Bellini and their workshops, the major artists of the Venetian school included Giorgione, Titian, Tintoretto, Paolo Veronese and Jacopo Bassano and his sons.
Florentine painting. Cimabue, Madonna of Santa Trinita, c. 1285, once in the church of Santa Trinita, now in the Uffizi Gallery. Florentine painting or the Florentine School refers to artists in, from, or influenced by the naturalistic style developed in Florence in the 14th century, largely through the efforts of Giotto di Bondone, and in the ...
Italian Rococo art refers to painting and the plastic arts in Italy during the Rococo period, which went from about the early/mid-18th to the late 18th century. History and background [ edit ] Italian Rococo was mainly inspired by the rocaille or French Rococo, since France was the founding nation of that particular style.
e. The cultural and artistic events of Italy during the period 1500 to 1599 are collectively referred to as the Cinquecento ( / ˌtʃɪŋkwɪˈtʃɛntoʊ /, [1] [2] [3] Italian: [ˌtʃiŋkweˈtʃɛnto] ), from the Italian for the number 500, in turn from millecinquecento, which is Italian for the year 1500. Cinquecento encompasses the styles ...
Italian Baroque art. Artemisia Gentileschi, Judith Slaying Holofernes, 1614–20, Oil on canvas 199 x 162 cm, Uffizi, Florence. Italian Baroque art is a term that is used here to refer to Italian painting and sculpture in the Baroque manner executed over a period that extended from the late sixteenth to the mid eighteenth centuries. [1]
Surviving Panels from the Pala Feriale or “weekday altarpiece”, for the famous metalwork and enamel Pala d'Oro of the St Mark's Basilica, 1345. Paolo Veneziano, also Veneziano Paolo or Paolo da Venezia (active by 1333, died after 1358) was a 14th-century painter from Venice, the "founder of the Venetian School" of painting, probably active between about 1321 and 1362.
