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2 de jun. de 2009 · Victor Fleming was the most sought-after director during Hollywood's golden age, renowned for his ability to make films across an astounding range of genres: westerns, earthy sexual dramas, family entertainment, screwball comedies, buddy pictures, romances and adventures. Fleming is best remembered for directing the two most iconic movies of the period, "Gone with the Wind" and "The Wizard of ...
Gone with the Wind: Directed by Victor Fleming, George Cukor, Sam Wood. With Thomas Mitchell, Barbara O'Neil, Vivien Leigh, Evelyn Keyes. A sheltered and manipulative Southern belle and a roguish profiteer face off in a turbulent romance as the society around them crumbles with the end of slavery and is rebuilt during the Civil War and Reconstruction periods.
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Photos TREASURE ISLAND, from left, director Victor Fleming, Nigel Bruce, Wallace Beery, Jackie Cooper, filming aboard the Hispaniola, 1934 THE WHITE SISTER, director Victor Fleming (back to camera ...
16 de abr. de 2024 · Victor Fleming entró a la industria del cine como doble de acción en 1910: en su mayoría, realizaba escenas manejando. Después surgió su interés por estar del otro lado de la cámara y consiguió un puesto como camarógrafo en la mayoría de las películas de Douglas Fairbancks. Pronto pasó a dirigir sus propias películas: su primer ...
Victor Fleming en el rodaje de Lo que el viento se llevó ( 1939 ): Su debut en la dirección cinematográfica lo realiza con Pesadillas ( 1919 ), que firma junto con Ted Reed, aunque su primera película en solitario fue Una gallina valerosa realizada en ( 1920 ). Estas producciones están protagonizadas por su amigo Douglas Fairbanks, quien ...
Victor Fleming. Oscar al miglior regista 1940. Victor Lonzo Fleming ( La Cañada Flintridge, 23 febbraio 1889 – Cottonwood, 6 gennaio 1949) è stato un regista, direttore della fotografia e produttore cinematografico statunitense; occasionalmente è stato anche un aiuto regista e sceneggiatore.
12 de dic. de 2019 · Fleming. Fleming has two films in the top 100 (wow!) and 5 in the top 100 of their respective decade. So what gives? That resume should put him closer to a top 50 director than #118. The issue is the level of authorship (in general- there aren’t a lot of Flemingisms’) specifically when it comes to Gone With the Wind– which is technically his best film. Mostly, I stick by the “directed ...
