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  1. Alexander Herman "Whistlin' Alex" Moore (November 22, 1899 – January 20, 1989), was an American blues pianist, singer and whistler. He is best remembered for his recordings of "Blue Bloomer Blues" (which he first recorded in 1929, as well as later in life), "Across the Atlantic Ocean" and "Black Eyed Peas and Hog Jowls".

    • Alexander Herman Moore
    • November 22, 1899, Dallas, Texas, U.S.
    • January 20, 1989 (aged 89), Dallas, Texas
  2. 22 de jul. de 2010 · I do not own the copyright to this recording. This video is for historical and educational purposes.For more information about this artist, please visit the ...

    • 3 min
    • 6.4K
    • randomandrare
  3. Alexander Herman Moore (November 22, 1899 – January 20, 1989), known as Whistlin' Alex Moore, was an American blues pianist, singer and whistler. He is best remembered for his recordings of "Blue Bloomer Blues" (which he first recorded in 1929, as well as later in life), "Across the Atlantic Ocean" and "Black Eyed Peas and Hog Jowls".

  4. 1 de ene. de 1994 · Largely unknown outside his hometown of Dallas, Texas, “Whistlin’” Alex Moore (1899 – 1989) was a blues original. Sitting at the piano, Moore would endlessly improvise on blues themes, creating news songs in the process. His distinctive whistling and vocals added to the originality of his music.

  5. Find top songs and albums by Whistlin' Alex Moore including They May Not Be My Toes, Across the Atlantic Ocean and more. Listen to music by Whistlin' Alex Moore on Apple Music. Listen Now

  6. Profile: Whistlin' Alex Moore (November 22, 1899 – January 20, 1989) was an American blues pianist, singer and whistler. He is best remembered for his recordings of "Across The Atlantic Ocean" and "Black Eyed Peas and Hog Jowls." In 1929, he made his debut recordings for Columbia Records.

  7. WhistlinAlex Moore was an eccentric Texas pianist whose career stretched from the early 20s into the late 80s. His archaic playing style incorporated elements of ragtime, barrelhouse and ‘stride’ patterns, and his talent for endless improvisation, spur-of-the-moment diversions and wild, Thelonius Monk-like spatterings of ‘blue-notes ...