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Butterfield Architectural Drawing for Keble College Block No 2. No 5. Elevations. Butterfield. The original buildings of the College were designed by William Butterfield (1814-1900). Although the darling of the Tractarian movement, Butterfield was a controversial choice, as his style (a form of High Victorian Gothic) had long provoked argument ...
6 de dic. de 2017 · William Butterfield. Nothing Permitted But What Has Been Foreseen. William Butterfield eschewed the illustrative perspective, preferring instead to develop even his studies as contract drawings that would serve three tasks: as presentations through which a project could be comprehended, as instructions from which his contractors and clients ...
11 de jun. de 2018 · Butterfield, William (1814–1900). One of the most prolific and original English Gothic Revivalists, he was born in London, for a while worked with the Inwoods, and opened his own practice in 1840. From 1842 he was closely involved with the Cambridge Camden (later Ecclesiological) Society, contributing designs to The Ecclesiologist (1842–68 ...
Butterfield, William 1814 - 1900 William Butterfield was born in London, England on 7 September 1814. In c.1830 he was apprenticed to Thomas Arbor, a builder in Pimlico, London. Two years later he began training as an architect and was articled to Edward Lushington Blackburne (1803-1888) in London. He later briefly worked in the office of William
2 de mar. de 2019 · Since Keble was founded by Butterfield's pious High Church friends for clerical students, the chapel, which was added to the group in 1873-6, understandably dominates the whole. Tall and richly decorated, this has many of Butterfield's virtues, but it quite lacks the directness and the poignance of his best work of the fifties and early sixties.
William Butterfield (7 septembre 1814 - 23 février 1900) est un architecte néo-gothique britannique et associé au mouvement d'Oxford (ou mouvement tractarien). Il est connu pour son utilisation de la Polychromie .
4 de ene. de 2011 · Butterfield's bold experiments with polychromy had major importance. As Paul Thompson explains, “As the test case of Ruskin's theory, All Saints' in a sense influenced all the innumerable examples of constructional colour which marked the remainder of the nineteenth century spreading gradually outwards to the furthest corners of European influence and downwards through the social layers of ...
