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  1. 12 de feb. de 2019 · (For example: Jolson campaigned to have Warner Bros. produce an all-blackface version of The Green Pastures, a 1936 movie depicting Bible stories told through the eyes of African-American characters.

    • 3 min
    • Seth Abramovitch
  2. Jolson wasn’t the only performer working in blackface at the time, but he became the best known of his generation, the so-called “king of blackface.” Jolson in the movie Mammy , 1930 The subject of tomorrow’s Dr. Bob Prescribes post is Al Jolson’s groundbreaking movie The Jazz Singer .

  3. Blackface. and Racism. When the name of Al Jolson is brought up, it is usually accompanied by a photograph of Jolson on one knee, with outstretched arms, in blackface. Jolson has become the defacto poster boy for blackface, and implicit with that, racism. To many, it seems inconceivable that the make-up that Jolson wore was not racist; now and ...

  4. 13 de feb. de 2019 · Al Jolson, a Lithuanian Jewish immigrant who came to New York as a child, became one of the most influential blackface stars of the 20th century, including his 1927 hit film The Jazz Singer ...

  5. Blackface. and Racism. When the name of Al Jolson is brought up, it is usually accompanied by a photograph of Jolson on one knee, with outstretched arms, in blackface. Jolson has become the defacto poster boy for blackface, and implicit with that, racism. To many, it seems inconceivable that the make-up that Jolson wore was not racist; now and ...

  6. 18 de mar. de 2024 · Al Jolson (born May 26, 1886, Srednike, Russia [now Seredžius, Lithuania]—died October 23, 1950, San Francisco, California, U.S.) was a popular American singer and blackface comedian of the musical stage and motion pictures, from before World War I to 1940. His unique singing style and personal magnetism established an immediate rapport with ...

  7. Al Jolson canta en ella varios temas (Mammy, Toot, toot, tootsie, goodbye, Dirty hands, dirty face, Blue Skies, Mother, I still have you, etc.), convirtiéndose en una estrella del séptimo arte, al que regresa poco después interpretando The Singing Fool (1928), una cinta dirigida por Lloyd Bacon con la que alcanza una popularidad mayor si cabe que con The Jazz Singer.