Resultado de búsqueda
Overview. Provenance. Exhibition History. References. Title: Mobile. Artist: Alexander Calder (American, Philadelphia, Pennsylvania 1898–1976 New York) Date: 1941. Medium: Painted aluminum, steel, steel rod, and wire. Dimensions: assembled: 60 in. × 152 3/8 in. (152.4 × 387.1 cm) a: 27 1/2 × 55 1/2 in., 2.7 lb. (69.9 × 141 cm, 1.2 kg)
- Weyhe Gallery Invitation
Weyhe Gallery Invitation - Alexander Calder | Mobile | The...
- Balloons
Balloons - Alexander Calder | Mobile | The Metropolitan...
- Search
Search - Alexander Calder | Mobile | The Metropolitan Museum...
- Weyhe Gallery Invitation
Alexander Calder (; July 22, 1898 – November 11, 1976) was an American sculptor known both for his innovative mobiles (kinetic sculptures powered by motors or air currents) that embrace chance in their aesthetic, his static "stabiles", and his monumental public sculptures.
Alexander Calder (22 de julio de 1898, Lawnton, Pensilvania-11 de noviembre de 1976, Nueva York) fue un escultor estadounidense conocido por ser el inventor del móvil (esculturas cinéticas colgantes) y precursor de la escultura cinética.
Alexander Calder (/ ˈ k ɔː l d ər /; July 22, 1898 – November 11, 1976) was an American sculptor known both for his innovative mobiles (kinetic sculptures powered by motors or air currents) that embrace chance in their aesthetic, his static "stabiles", and his monumental public sculptures.
When asked to title the National Gallery's object, Calder replied, "You don't name a baby until it is born." Unfortunately, he died one year before the finished mobile was hoisted up to the space-frame roof on Friday, November 18, 1977. Thus he never witnessed the "birth" of his last major commission. Provenance.
1945. On display at Tate Modern part of Materials and Objects. ‘Mobile‘, Alexander Calder, c.1932 on display at Tate Modern.
6 de dic. de 2023 · Alexander Calder, Mobile. by The Metropolitan Museum of Art. Video from The Metropolitan Museum of Art. Cite this page. Calder injected motion into sculpture with his mobiles—the viewer’s mere presence impacts their movement.