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  1. Many critics have asked him what the natural elements may mean or indeed why they are featured so greatly in his films, rain, water, wind, snow, fire, and natural spaces, such as rural areas, mountains, rivers, fords, trees, forests, and sky.

  2. The Tarkovsky legacy. The slim body of work produced by the great Russian director Andrei Tarkovsky (1932-86) – seven transcendent, spiritual films marked by exquisite visual imagery, mesmerising long takes, a near-pantheistic reverence for landscape and nature, and a seamless blending of real time, dream and memory – helped redefine the ...

  3. 8 de feb. de 2021 · By Alex Ross. February 8, 2021. Among directors, Tarkovsky has become a godlike figure, his signature motifs imitated to the point of becoming clichés. He is the chief exemplar of what is...

    • Filmography
    • Select Bibliography
    • Articles in Senses of Cinema
    • Cinématèque Annotations
    • Web Resources

    The Killers (Ubitsi)(short, 1958) Extract (Kontsentrat)(short, 1958) There Will Be No Leave Today (Segodnya uvolneniya ne budet)(short, 1959) The Steamroller and the Violin (Katok i skripka) (short, 1960) aka The Skating Rink and the Violin Ivan’s Childhood (Ivanovno detstvo) (1962) aka The Childhood of Ivan, My Name is Ivan, The Youngest Spy Andre...

    De Baecque, Antoine, Andrei Tarkovsky(Ed. de l’Etoile, Paris 1989) Le Fanu, Mark, The Cinema of Andrei Tarkovsky (BFI, London 1987) Tarkovsky, Andrei, Sculpting in Time (Faber, London 1989) Tarkovsky, Andrei, Time within Time: the Diaries 1970-86 (Faber, London, 1994) Turovskaya, Maya, Tarkovsky: Cinema as Poetry (Faber, London 1989)

    Andrei Tarkovsky: Truth Endorsed by Lifeby Pedro Blas Gonzalez Russian Soul, Eurotrance: Instant Light: Tarkovsky Polaroidsedited by Giovanni Chiaramonte and Andrei A. Tarkovskyby Benjamin Halligan

    Ivan’s Childhood by Fergus Daly and Katherine Waugh Andrei Rublev: The Passion According to Andrei by Anna Dzenis Solarisby Acquarello Nostalghiaby Acquarello The Sacrifice by Gino Moliterno Mirrorby Sam Ishii-Gonzales Stalkerby Brad Weismann

    Compiled by Michelle Carey Nostalghia.com Next best thing to seeing his films if you are wanting to find out more about the man and his work. Regularly updated news, great graphics and superb writings. Features an extensive bibliography and web resources. Andrei Tarkovsky’s Cinema of Spirituality Referring to specific shots, dialogue and quotations...

    • Maximilian Le Cain
  4. 27 de sept. de 2021 · Andrei Tarkovsky's classic sci-fi Stalker challenges the audience's faith and turns its apocalyptic landscape into a metaphor for hope and fear.

  5. 13 de sept. de 2021 · landscape. war. Russia. memory. trauma. Cold War. Second World War. Soviet. A haunting past dominates the work of European filmmakers in the post-war period, and this article addresses the spectre of war in There Will Be No Leave Today ( 1959 ), a very early film of Russian director Andrei Tarkovsky and Alexander Gordon.

  6. ticle examines Andrei Tarkovskys filmography to inquire, from the material conditions of his production, about a field of interactions—beyond representation—between image and landscape transformation. Tarkovskys work is then analyzed fromthe relations between image, extractivism and plant growth.