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To express this new sense of reality, the Bragaglia brothers, Anton Giulio and Arturo, invented photographs that would convey the passage of time in the photograph’s single moment. As teenagers in Rome, the Bragaglias learned photography and filmmaking at Cines, a film studio in Rome managed by their father.
18 –19- 20 – Anton Giulio Bragaglia fu, fuori di ogni dubbio, persona di ingegno vivacissimo, cui mancò per esprimersi al più alto livello fotografico la disponibilità dei mezzi di produzione indispensabili alla fotografia artistica del suo tempo: indispensabili tanto per farla che per rivoluzionarla.
L’archivio di un visionario. La mostra Anton Giulio Bragaglia. L’archivio di un visionario, a cura di Claudia Palma, alla Galleria Nazionale d’Arte Moderna e Contemporanea segna la riscoperta di una figura estremamente interessante della cultura del Novecento, il regista teatrale e cinematografico, studioso e scrittore Anton Giulio Bragaglia.
Futurist Photodynamism (1913) by Anton Giulio Bragaglia. 1st July 1913. To begin with, Photodynamism cannot be interpreted as an innovation applicable to photography in the way that chronophotography was. Photodynamism is a creation that aims to achieve ideals that are quite contrary to the objectives of all the representational means of today.
Anton Giulio Bragaglia (Frosinone, Lácio 11 de Fevereiro de 1890 – Roma, 15 de Julho 1960) foi um diretor de teatro, fotógrafo e cineasta ligado ao movimento futurista italiano. Tem obras publicadas sobre cinema e teatro .
Biografía Hermanos Bragaglia. Los hermanos, son originarios de Italia, naturales de Roma. Hijos de Francesco y Maria. Anton Giulio, (1890 - 1960), Arthuro (1893 - 1962) y Carl (1894 - 1998). El mas grande de los hermanos, Anton Giulio Comenzó su actividad artística trabajando en el mundo del cine en 1906, como asistente de dirección en ...
24 de ene. de 2001 · It was not until the invention of ‘photodynamism’ in 1911 that Italian Futurism made its distinctive contribution to the history of photography. The term was invented by the Bragaglia brothers, Anton Giulio and Arturo, who aimed to induce ‘visual vertigo’ with their photographs of movement. With financial support from Marinetti, the ...
