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  1. Attic Tragedy - Free download as Word Doc (.doc / .docx), PDF File (.pdf), Text File (.txt) or read online for free. Attic tragedy notes- history

  2. The social function of Attic tragedy: a Response to Jasper Griffin (PDF) The social function of Attic tragedy: a Response to Jasper Griffin | Richard Seaford - Academia.edu Academia.edu no longer supports Internet Explorer.

  3. 1 de may. de 2000 · Jasper Griffin's polemic, in this journal, against what he calls the ‘collectivist school’ of interpretation of Athenian tragedy is welcome, as it encourages clarification of fundamental differences. I do not have the space here to tackle him wherever I think he is wrong, still less construct an argument to the effect that Athenian tragedy was a ‘collective’ phenomenon. Rather I want ...

  4. This urry of features with parallels in tragedy suggests that tragic drama was Herodotus’ primary poetic model in representing the dramatic climax of Croesus’ rule. As in the previous episodes discussed, here too Herodotus’ use of tragic technique sets the stage for a signi cant departure therefrom. For the motif.

  5. 13 de jun. de 2021 · This chapter examines Didymus’ studies on Greek tragedy, in particular on Sophocles and Ion of Chios. It demonstrates Didymus’ methods of exegesis and his use of other exegetical corpora. It explains the thinking behind some of his choices and preferences, including the mistakes.

  6. 6 de nov. de 2022 · posted on 2022-11-06, 21:56 authored by Everitt, Philip. Dangerous Women in Attic Tragedy: A State of Affairs (2022) considers the central role of the dangerous woman in fifth-century (BCE) Attic tragedy. This study examines intertextuality and allusion to compare the wronged-wife across three tragedies by three different Athenian playwrights.

  7. 1 de abr. de 2003 · Herodotus' Use of Attic Tragedy in the Lydian Logos. Charles C. Chiasson. Published 1 April 2003. History. Classical Antiquity. This essay explains the appearance of tragic narrative patterns and motifs in the Croesus logos not as a passive manifestation of "tragic influence," but as a self-conscious textual strategy whereby Herodotus makes his ...