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  1. 1 de abr. de 2009 · During the 1960s many avant‐garde musicians were intensely involved in the era's social and political upheavals, and often sought to reflect this engagement in their music. This volume examines the encounter of avant‐garde music and ‘the sixties’, across a range of genres, aesthetic positions, and geographical locations.

  2. Popular music, by definition, is designed for mass appeal. The 1960s saw a wave of avant-garde experimentation in jazz, represented by artists such as Ornette Coleman, Sun Ra, Albert Ayler, Archie Shepp, John Coltrane and Miles Davis.

    • Early to mid-20th century
  3. The development of free jazz, improvisation, performance art, and experimental music both in and outside the concert hall during the 1960s was significantly shaped by the desire to make connections to the cultural shifts taking place in the wider world.

  4. 1 de may. de 2009 · During the 1960s many avant-garde musicians were intensely involved in the era's social and political upheavals, and often sought to reflect this engagement in their music. This volume examines...

    • Robert Adlington
  5. 28 de mar. de 2008 · Although the terms “avant-garde” and “experimental” are often used to categorize radical composers and their works, it has been noted that “‘avant garde’ remains more a slogan than a definition” (Griffiths 1980, p. 743) and that “‘experimental music’ is ill-defined and the concept it is used to describe is vague” (Rockwell 1986, p. 91).

    • David Nicholls
    • 1998
  6. Avant-garde jazz (also known as avant-jazz, experimental jazz, or "new thing") is a style of music and improvisation that combines avant-garde art music and composition with jazz. It originated in the early 1950s and developed through to the late 1960s. Originally synonymous with free jazz, much avant-garde jazz was distinct from ...

  7. 1 de ago. de 2009 · Those moments of encounter include: minimalist fiddler/philosopher Henry Flynt’s affiliation with the communist Workers World Party in the mid-1960s and his famous demonstrations against Stockhausen in New York; the work of composer/improv collective Musica Electronica Viva in Rome in the late 1960s, bringing experimental music to prisons and va...