Resultado de búsqueda
20 de ene. de 1990 · Actress. She was a was a four time Academy Award-nominated motion picture actress whose career spanned from the 1920s beyond the 1980s, and was a forerunner of a long line of actors and singers born in Brooklyn, New York City, New York which at the time had many influencing live performance theatres and cultural...
8 de oct. de 2022 · Cecil Stoughton/The LIFE Images Collection/Getty Images. Monroe's most infamous rumored affairs were with President John F. Kennedy and later his brother, Attorney General Robert F. Kennedy. Some ...
24 de mar. de 2023 · The Sewing Circle is a euphemism more than it is an actual club, used by Alla Nazimova and later by Marlene Dietrich, it referred to a group of women who weren't patching up clothes, but having ...
Barbara Stanwyck. Barbara Stanwyck nel 1930. Oscar onorario 1982. Barbara Stanwyck, pseudonimo di Ruby Catherine Stevens [1] ( Brooklyn, 16 luglio 1907 – Santa Monica, 20 gennaio 1990 [2] ), è stata un' attrice e ballerina statunitense . Dotata di una forte personalità e di uno sguardo penetrante oltre che di grandi capacità recitative ...
16 de jul. de 2014 · Barbara Stanwyck’s acting is often described as modern. She seems modern because she is without the particular manners and mannerisms that defined the images of many leading ladies of the time. She also seems modern because the actions and emotions she illuminates and evokes through her characters are not only natural and timely, but essential and timeless.
9 de mar. de 2016 · On audio tapes made for her psychiatrist Dr. Ralph Greenson, Marilyn confessed to bedding Barbara Stanwyck, Judy Garland, Marlene Dietrich, Elizabeth Taylor and Joan Crawford. Photo credit: Corbis Another tape made public after the doctor’s 1979 death by former L.A. County Prosecutor John Miner, Monroe revealed: “Crawford had a gigantic orgasm and shrieked like a maniac.
18 de mar. de 2016 · – Kirk Douglas to Barbara Stanwyck in The Strange Love of Martha Ivers. It is a dark and stormy night. The oldest and most risible cliché in Victorian melodrama – but that is how The Strange Love of Martha Ivers actually does start. As the thunder booms and crackles, a rich girl and a poor boy steal aboard a deserted train.