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Blow-Up (sometimes styled as Blowup or Blow Up) is a 1966 Italian-English psychological mystery film directed by Michelangelo Antonioni, co-written by Antonioni and Tonino Guerra and produced by Carlo Ponti. It is Antonioni's first entirely English-language film and stars David Hemmings, Vanessa Redgrave and Sarah Miles.
- $1.8 million
- Carlo Ponti
Blow-Up: Directed by Michelangelo Antonioni. With Vanessa Redgrave, Sarah Miles, David Hemmings, John Castle. A fashion photographer unknowingly captures a death on film after following two lovers in a park.
- (66K)
- Drama, Mystery, Thriller
- Michelangelo Antonioni
- 1967-09-26
Directly based on Michelangelo Antonioni's 1966 film Blowup, the film replaces the medium of photography with one of audio recording. The concept of Blow Out came to De Palma while he was working on the thriller Dressed to Kill (1980).
- $18 million
- Pino Donaggio
- July 24, 1981
- George Litto
Summaries. A fashion photographer unknowingly captures a death on film after following two lovers in a park. A successful mod photographer in London whose world is bounded by fashion, pop music, marijuana, and easy sex, feels his life is boring and despairing.
8 de nov. de 1998 · Reviews | Great Movies. Blow-Up. Roger Ebert November 08, 1998. Tweet. A grainy encounter between David Hemmings and Vanessa Redgrave in the park. Now streaming on: Powered by JustWatch. Michelangelo Antonioni's "Blow-Up" opened in America two months before I became a film critic, and colored my first years on the job with its lingering influence.
25 de feb. de 2018 · Blow Up (1966) ORIGINAL TRAILER [HD 1080p] HD Retro Trailers. 103K subscribers. Subscribed. 1.1K. 153K views 6 years ago. Directed by Michelangelo Antonioni. With David Hemmings, Vanessa Redgrave...
1966. 111 minutes. Color. 1.85:1. English. Spine #865. Special Features. New, restored 4K digital transfer, with uncompressed monaural soundtrack on the Blu-ray. New pieces about director Michelangelo Antonioni’s artistic approach, featuring photography curators Walter Moser and Philippe Garner and art historian David Alan Mellor.