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Agnolo di Cosimo (Italian: [ˈaɲɲolo di ˈkɔːzimo]; 17 November 1503 – 23 November 1572), usually known as Bronzino (Italian: Il Bronzino [il bronˈdziːno]) or Agnolo Bronzino, was an Italian Mannerist painter from Florence. His sobriquet, Bronzino, may refer to his relatively dark skin or reddish hair.
Bronzino's frescoes and other religious paintings are as stylish and carefully designed as his portraits. See for instance his 'Madonna and Child' in the Collection. Paintings by Bronzino. An Allegory with Venus and Cupid. Bronzino. Room 9. Portrait of a Young Man. Bronzino. Room 12. Portrait of Piero de' Medici ('The Gouty') Bronzino.
Obras. La mayor parte de sus pinturas son retratos de grandes literatos y de integrantes de la familia de los Médicis o de allegados a esta, por ejemplo de la hermosa Leonor Álvarez de Toledo, hija del virrey de Nápoles y enlazada matrimonialmente con los Médicis.
- Agnolo di Cosimo
- Agnolo Bronzino
'Bronzino's works are considered the epitome of Florentine disegno and, at the same time, its final pinnacle, which had already assumed the character of Mannerism. Bronzino, who was a pupil...
By 1540, Pontormo’s student Agnolo Bronzino (1503–1572) had become the leading artist working in this style in Florence and court painter to Cosimo I de’ Medici, grand duke of Tuscany.
Italia, 1503–1572. Manierismo. Retrato. Llamado Bronzino, Agnolo di Cosimo fue uno de los pintores más reconocido en la Florencia del siglo XVI. En una de las primeras historias del arte, Giorgio Vasari ya lo menciona junto al maestro Pontormo, ambos grandes representantes de la pintura manierista.
Bronzino. Florencia, 1503 - Florencia, 1572. Bronzino representa el manierismo toscano, dominando en solitario, gracias a su ilimitada invención y excepcional pericia, el arte en la corte de los Médicis desde los años treinta hasta los sesenta del siglo XVI.
