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By Carl Sandburg. Pile the bodies high at Austerlitz and Waterloo. Shovel them under and let me work—. I am the grass; I cover all. And pile them high at Gettysburg. And pile them high at Ypres and Verdun. Shovel them under and let me work. Two years, ten years, and passengers ask the conductor:
- Jan Kubelik
More About This Poem Jan Kubelik By Carl Sandburg ... Poet...
- The Harbor
The Harbor - Grass by Carl Sandburg | Poetry Foundation
- Chicago
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- At a Window
At a Window - Grass by Carl Sandburg | Poetry Foundation
- Jan Kubelik
Poetry is a sky dark with a wild-duck migration. Poetry is the opening and closing of a door, leaving those who look through to guess about what is seen during a moment.” His success as a poet was limited to that of a follower of Walt Whitman and of the Imagists.
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‘Fog‘ is a poem that ascribes significance to small events in nature. The narrator uses this poem to highlight the beauty of the natural world. The poem begins with the narrator announcing the arrival of the fog. He states that the fog “comes in on little cat feet”, which immediately characterizes it in an endearing way. The narrator then states th...
Lines 1-2
The poem begins with the narrator stating that the fog arrives on “little cat feet”. Cats are often associated with lithe, quiet, and graceful movements. By comparing the fog to a cat, the narrator ascribes these characteristics to the fog as well. The narrator specifically states that the fog has “little cat feet”, which evokes the image of the agile way in which cats move.
Lines 3-4
In the next lines, the narrator describes how the fog sits looking over the city. This once again adds characterizationto the fog as a living entity. When fog forms over a location, it often lingers over the landscape for a few hours. The narrator is pointing out that this natural phenomenon almost seems deliberate, as though the fog is actually watching over the city that it has settled over.
Lines 5-6
In the last lines of the poem, the author once again characterizes the fog as a living creature. “Haunches” are the back leg area of an animal. Because the narrator had earlier stated that the fog comes in on “little cat feet”, we can infer that the “haunches” here refer specifically to those of a cat. This once again characterizes the fog as a feline-like entity. The word “silent” further emphasizes that it is quiet, lithe, and peaceful. Just like a passing fog, cats usually pass through a l...
This poem is intended to be the author’s expression of his appreciation of nature. Specifically, the small natural events that we often tend to overlook. To anyone else, a passing fog may seem like an ordinary everyday occurrence. However, the author has ascribed significance to this event. In doing so, the author brings attention to the grace of n...
‘Fog’ is just 6 lines long, and is separated into 2 stanzas. The first stanza is 2 lines long, while the second stanza is 4 lines long. ‘Fog’ was inspired by the Japanese haiku style of poetry. Author Carl Sandburg stated that he wrote the poem with the intention of creating an “American haiku”. The poem does not have a set rhyming scheme, making i...
Carl Sandburg was an American poet best known for his poetry collection “Chicago Poems” (1916). Some of his other collections include “The People, Yes” (1936), “Good Morning, America” (1928), “Slabs of the Sunburnt West “(1922), and “Smoke and Steel” (1920). Carl Sandburg was known for being well-versed in a multitude of different topics, including...
If you liked this poem, you may want to check out these similar poems: 1. The rest of the poems in Carl Sandburg’s Poetry collection “Chicago Poems”. This is his most well known and beloved book of poetry. 2. ‘I Wandered Lonely as a Cloud‘ by William Woodsworth. This is another poem that expresses the narrator’s appreciation for nature. 3. Any of t...
- Female
- Poetry Analyst
Carl Sandburg. 1878 –. 1967. The shadows of the ships. Rock on the crest. In the low blue lustre. Of the tardy and the soft inrolling tide. A long brown bar at the dip of the sky. Puts an arm of sand in the span of salt. The lucid and endless wrinkles. Draw in, lapse and withdraw. Wavelets crumble and white spent bubbles.
‘Grass’ by Carl Sandburg is a deeply moving poem that addresses the horrors of war and human kind’s responsibility to never forget them. In the first lines of ‘Grass,’ the speaker, grass, asks that it be allowed to do its job and cover up the bodies and history-soaked battlefields around the world.
With fire and gold of sky and sea, And the peace of long warm rain. This poem is in the public domain. Published in Poem-a-Day on April 12, 2020 by the Academy of American Poets. Monotone - The monotone of the rain is beautiful, / And the sudden rise and slow relapse.
