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  1. Hace 15 horas · Box office. $122.7 million [4] (initial release) The Ten Commandments is a 1956 American epic religious drama film produced, directed, and narrated by Cecil B. DeMille, [5] shot in VistaVision (color by Technicolor ), and released by Paramount Pictures. The film is based on the 1949 novel Prince of Egypt by Dorothy Clarke Wilson, [6] the 1859 ...

    • Cecil B. DeMille
  2. Hace 5 días · Professional competitive reasons also played a role in his decision to direct, and Wyler later admitted that he wished to outdo Cecil B. DeMille, and make a "thinking man's" Biblical epic. In later years, William Wyler would joke that it took a Jew to make a good film about Christ. Writing Gore Vidal

  3. Hace 2 días · Todos mis ayeres. Una autobiografía (Edward G. Robinson, con Leonard Spigelglass, Cult Books, col Vidas de Papel, 362 págs) Las memorias de un gran actor de teatro y cine, Oscar honorífico en 1973, el año de su muerte, y gran amante y mecenas de las artes, que poseyó una magnífica colección privada de cuadros donde no falta un Picasso.

  4. en.wikipedia.org › wiki › Mervyn_LeRoyMervyn LeRoy - Wikipedia

    Hace 6 días · LeRoy was soon hired as an extra on Cecil B. DeMille's 1923 epic The Ten Commandments LeRoy credits Cecil B. DeMille, for inspiring him to become a director: "As the top director of the era, DeMille had been the magnet that had drawn me to his set as often as I could go."

  5. Hace 3 días · Her desire for stardom eclipses reality, and the film ends with one of the most iconic lines in film history, addressed to famed director Cecil B. DeMille, Swanson’s real-life mentor, who ...

  6. Hace 5 días · The Ten Commandments was a cinematic spectacle in 1923 and in 1956, and both times from the same director: Cecil B. DeMille. What does make the two Dune cinematic experiences interesting is that while both trade in high-budget spectacle with top-of-the-line production values for their respective eras, what “spectacle” means for ...

  7. Hace 1 día · As an adult he still admired the “baroque pomp, the same good old five-cent philosophy” of Cecil B. DeMille’s movies and the “vulpine smirk” of Erich von Stroheim, a villain who never ...