1944
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21 de mar. de 2024 · Charles Laughton, British actor and director who defied the Hollywood typecasting system to emerge as one of the most versatile performers of his generation. His movies included The Private Life of Henry VIII (1933), Mutiny on the Bounty (1935), The Hunchback of Notre Dame (1939), and Spartacus (1960).
- The Editors of Encyclopaedia Britannica
Hace 4 días · Por Andrea Méndez "La Noche del Cazador" (1955), dirigida por Charles Laughton, es una joya rara en el firmamento cinematográfico. Esta obra maestra del cine negro se distingue por su manejo de la luz y oscuridad inigualables, desplegando un tapiz visual que cautiva y perturba.
Hace 2 días · 16/04/2024. La noche del cazador (The night of the hunter, 1955), de Charles Laughton, adaptación de la excelente de Davis Grubb, publicada dos años antes, es una obra excepcional, no sólo por sus cualidades, sino por su singularidad.
2 de abr. de 2024 · The Night of the Hunter, American crime thriller, released in 1955, that is regarded as a masterpiece of tone and suspense. Its screenplay was cowritten by Charles Laughton and James Agee, and it was the only directorial effort by Laughton. Surrealistic in style, the story concerns two young.
- Lee Pfeiffer
Hace 1 día · Charles Laughton, who directed him in The Night of the Hunter, considered him to be one of the best actors in the world and believed that he would have been the greatest Macbeth. John Huston felt that Mitchum was on the same pedestal of actors such as Marlon Brando, Richard Burton and Laurence Olivier.
Hace 3 días · Charles Laughton worked with many famous directors, including big names like Alfred Hitchcock and Stanley Kubrick. Movie fans who love Charles Laughton have also been known to enjoy films starring Fredric March and Peter Lorre. Most divisive: Forever and a Day.
27 de mar. de 2024 · Director Scott Derrickson, known for his work on “The Black Phone” and “Doctor Strange,” is set to helm a remake of Charles Laughton’s goth-horror masterpiece, “The Night of The Hunter.” The 1955 film, based on David Grubbs’ novel, should not be remade. It’s as perfect as films go.
