Yahoo Search Búsqueda en la Web

Resultado de búsqueda

  1. Clifford Brown & Max Roach is a 1954 album by influential jazz musicians Clifford Brown and Max Roach as part of the Clifford Brown and Max Roach Quintet, described by The New York Times as "perhaps the definitive bop group until Mr. Brown's fatal automobile accident in 1956".

    • August 2–3 & 6, 1954 (original LP), February 24–25, 1955
    • Jazz
    • Early December 1954
    • Capitol (Hollywood)
  2. Clifford Brown and Max Roach. Profile: 1954 to 1956 hard bop jazz unit mainly billed by the names of leaders Clifford Brown (Trumpet) and Max Roach (Drums) but in reality - and sometimes billed as such - a quintet including George Morrow (Bass), Richie Powell (Piano) and Harold Land (Tenor saxophone). Also billed as Clifford Brown And Max Roach ...

  3. Clifford Brown & Max Roach - 1955 - 11 Joy Spring [alt. take] 6:46. Explore the tracklist, credits, statistics, and more for Clifford Brown And Max Roach by Clifford Brown And Max Roach. Compare versions and buy on Discogs.

    • (535)
    • Jazz
    • 473
    • Bop
  4. Contents. hide. (Top) Track listing. Personnel. References. Study in Brown [3] [4] ( EmArcy Records, 1955) is a Clifford Brown and Max Roach album. The album consists predominantly of originals by members of the band. The songs "Lands End", by tenor saxophonist Harold Land, and "Sandu", by Brown, have gone on to become jazz standards.

    • 39:53
    • 1955
    • February 23–25, 1955
  5. Brown and Roach Incorporated is an album by American jazz trumpeter Clifford Brown and drummer Max Roach featuring tracks recorded in August 1954 and released on the EmArcy label.

    • 40:40
    • 1955
    • August 2, 3, 5 & 6, 1954
    • Jazz
  6. 1982 release on Elektra/MusicianRecorded live in 1956Produced by Max RoachWhat's NewI'll Remember April 3:55Daahoud 22:35Lover Man (Oh Where Can You Be) 33:0...

    • 46 min
    • 43.7K
    • Soft Rock Kid
  7. 1 de ago. de 2001 · Max Roach: 'Clifford Brown and Max Roach' Max Roach was one of the founders of the jazz "be-bop" style. He also revolutionized jazz drumming by shifting the focus of the beat from...