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Russian Futurism began roughly in the early 1910s; in 1912, a year after Ego-Futurism began, the literary group "Hylea" - also spelt "Guilée" and "Gylea" – issued the manifesto A Slap in the Face of Public Taste. The 1912 movement was originally called Cubo-Futurism, but this term is now used to refer to the style of art produced.
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Futurism: a History, Mayakovsky “was the only real urbanist in the group” 7. The term “Cubo-Futurism” became a popular label for Hylae in 1913, and the group’s leaders accepted it as their official title the same year. The prefix “Cubo-” referred to the Cubo-Futurists appropriation of
The term Cubo-Futurism is applied to a range of Russian art seen to have synthesized the influences of French Cubist and Italian Futurist painting. However, some critics have pointed out that the influence of Italian Futurism was relatively slim, and have instead emphasized the importance of prior developments in Russian art such as Neo-Primitivism and Rayonism to the conception of Cubo ...
Cubism. Cubism was one of the most influential visual art styles of the early twentieth century. It was created by Pablo Picasso (Spanish, 1881–1973) and Georges Braque (French, 1882–1963) in Paris between 1907 and 1914. The French art critic Louis Vauxcelles coined the term Cubism after seeing the landscapes Braque had painted in 1908 at L ...
Cubo-Futurism. Russian futurism may be said to have been born in December 1912, when the Saint Petersburg-based group Hylaea (Velimir Khlebnikov, Aleksey Kruchenykh, Vladimir Mayakovsky, David Burlyuk) issued a manifesto entitled A Slap in the Face of Public Taste.
1913. Medium. oil on canvas. Dimensions. 78 cm × 105 cm (31 in × 41 in) [1] Location. State Russian Museum, Saint Petersburg. Cyclist is a 1913 Cubo-Futurist painting by the Russian artist Natalia Goncharova. The painting is considered an "archetypal work" of Futurism by its current holder, the State Russian Museum.
