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  1. 1581 - 1641. Domenico Zampieri, called Domenichino, was one of the main followers of Annibale Carracci. He had probably arrived in Rome by 1602, when Annibale was working in the Palazzo Farnese. Domenichino was important as a painter of classical landscape, following Annibale.

  2. Domenico Zampieri, más conocido como Domenichino (Bolonia, 21 de octubre de 1581 – Nápoles, 15 de abril de 1641), fue un prominente pintor italiano barroco del clasicismo romano-boloñés. Nacido en Bolonia, hijo de un zapatero, fue en sus inicios aprendiz de Denys Calvaert.

    • Italian
    • Bologna, Italy
  3. en.wikipedia.org › wiki › DomenichinoDomenichino - Wikipedia

    Domenico Zampieri (US: / ˌ t s ɑː m p i ˈ ɛər i, ˌ z ɑː m-/, Italian: [doˈmeːniko ddzamˈpjɛːri]; October 21, 1581 – April 6, 1641), known by the diminutive Domenichino (US: / d oʊ ˌ m eɪ n ɪ ˈ k iː n oʊ,-ˌ m ɛ n-/, Italian: [domeniˈkiːno]) after his shortness, was an Italian Baroque painter of the Bolognese ...

    • Italian
    • Baroque
  4. Domenichino (1581–1641) Together with his fellow northern Italian painters, Guido Reni (1575–1642), Francesco Albani (1578–1660), Giovanni Lanfranco (1582–1647), and Guercino (1591–1666), Domenico Zampieriknown after his small stature as Domenichino (little Domenico)—is one of the towering figures of seventeenth-century painting.

  5. Artist: Domenichino (Domenico Zampieri) (Italian, Bologna 1581–1641 Naples) Date: 1610–16. Medium: Oil on copper. Dimensions: 17 3/4 x 13 3/8 in. (45.1 x 34 cm) Classification: Paintings. Credit Line: Gift of Mr. and Mrs. Charles Wrightsman, 1976. Accession Number: 1976.155.2

  6. Abraham Leading Isaac to Sacrifice (1602) by Domenichino (Domenico Zampieri) Kimbell Art Museum. 'Domenichino, who is renowned for his large-scale frescoes, history paintings, and...

  7. El sacrificio de Abraham. © Fundación de Amigos del Museo del Prado. RDF. Enciclopedia > Voz. Domenichino. Domenico Zampieri. D. G. L. (Bolonia, 1581-Nápoles, 1641). Pintor italiano. Se trata de uno de los artistas que más se significaron en la definición tanto del «bello ideal» como del paisaje clásico durante el siglo XVII italiano.