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  1. 26 de mar. de 2024 · painting: Pan and Psyche by Edward Burne-Jones: Fogg Museum Harvard Art Museums: 1943.187 180s oil paint canvas: mythological painting: Pre-Raphaelite Brotherhood: Pan Psyche: painting: The Angel: Kelvingrove Art Gallery and Museum: 1742 1881 oil paint panel: painting: Princess Sabra Led to the Dragon: No/unknown value 1866 oil paint canvas ...

  2. 14 de dic. de 2018 · In 1870 Burne-Jones painted and exhibited Phyllis and Daemophoon, as it turned out his last painting as a member of Old Watercolour Society. He refused to change or cover the frontal nudity and decided to leave the society that tried to stifle his freedom like this. Edward Burne-Jones, Phyllis and Demophoön, Birmingham Museums and Art Gallery

  3. The Nativity is one of a pair of monumental paintings by the Pre-Raphaelite artist Edward Burne-Jones commissioned for the chancel of the church of St John the Apostle, Torquay, England, in 1887. The Gothic Revival church was designed by architect George Edmund Street in the 1860s and decorated by Morris & Co., the decorative arts firm in which ...

  4. 14 de oct. de 2023 · Email: tomgurney1@gmail.com / Phone: +44 7429 011000. Being involved in many artistic mediums Edward Burne-Jones drew inspiration for the 1878 painting called An Angel Playing a Flageolet from a stained-glass window that he produced for the parish church in Lyndhurst, Hampshire, in 1862-63. The painting is now displayed in the Museum of Liverpool.

  5. 14 de oct. de 2023 · Sir Edward Burne-Jones love for classical and mythical painting is evidently portrayed in the Perseus cycle paintings and particularly the baleful head. It is quite remarkable and ingenious how Burne-Jones brings out a wordless conversation between the three figures in the painting: Perseus, Andromeda and Medusa's head.

  6. Hidden Burne-Jones, Works on paper by Edward Burne-Jones from Birmingham Museums and Art Gallery 2007 - Leighton House cat. no. 38 p. 55 illus p. 22; B560 p. 77 Leighton House Museum

  7. 14 de oct. de 2023 · Burne-Jones' earliest works are clearly influenced by Rossetti in their style but always beautifully rendered. Even when examining simple drawings such as his, Waxen Image of (1856) it is clear to see the technical aptitude and skilfulness of the artist. By 1860, Burne-Jones was painting largely in water-colour, but he was still trying to find ...

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