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4 de feb. de 2019 · Burne-Jones [left] and William Morris, 1874 (Credit: Frederick Hollyer/ National Portrait Gallery, London) Burne-Jones always maintained that he preferred to make art for public buildings or churches.
13 de mar. de 2024 · Love and the Pilgrim (1896–7) Tate. Edward Burne-Jones is considered by many to be the last of the Pre-Raphaelites. His work reflects the ideals of the end of the nineteenth century. Known mainly as a painter, there was much more to Burne-Jones than you might realise. He combined the ideals of the Pre-Raphaelites with Aestheticism and ...
11 de jul. de 2013 · 23 June 2019. Sir Edward Coley Burne-Jones, Bt., A.R.A., R.W.S. (1833-1898), Love among the Ruins (detail). 38 x 60 in (96.5 x 152.4 cm). Sold for £14,845,875 on 11 July 2013 at Christie’s in London. In the words of his biographer Fiona MacCarthy, Edward Coley Burne-Jones was ‘one of the great, if not the greatest, of Victorian narrative ...
A smiling mermaid hauls the dead body of a naked young man to the bottom of the sea in this painting by British artist Edward Burne-Jones. With its warped forms, wavering lights and monochrome dimness, the painting is evocative of the strange seaways of underwater life. In fact, Burne-Jones was so determined to get these underwater effects ...
Burne-Jones exhibited this painting with the lyrics "Alas, I know a love song, / Sad or happy, each in turn." Cupid, with arrows slung over his shoulder, pumps the organ at right. Burne-Jones associated the scene with his affair with artist and model Maria Zambaco (1843–1914).
Edward Coley Burne-Jones (Birmingham, 28 de agosto de 1833 - Londres, 17 de junio de 1898) fue un artista y diseñador inglés asociado con la Hermandad Prerrafaelita, y principal responsable de atraer a los prerrafaelitas a la corriente principal del arte británico y, al tiempo, produciendo algunas de las más exquisitas y bellas obras de ...
Love Among the Ruins. (Burne-Jones) Love Among the Ruins is a painting by English artist Edward Burne-Jones which exists in two versions, a watercolour completed in 1873 (damaged in 1893 and restored in 1898) and an oil painting completed in 1894. It depicts a man and a woman amid ruined architecture. The work is a synthesis of influences from ...
