Resultado de búsqueda
Battleship Potemkin: Directed by Sergei Eisenstein. With Aleksandr Antonov, Vladimir Barskiy, Grigoriy Aleksandrov, Ivan Bobrov. In the midst of the Russian Revolution of 1905, the crew of the battleship Potemkin mutiny against the brutal, tyrannical regime of the vessel's officers.
- 2 min
- 284
23 de ene. de 2018 · The best – or perhaps, the only – place to start with Sergei Eisenstein is 1925’s Battleship Potemkin. Originally banned in the UK due to the perceived power of its message, Eisenstein’s second feature film is a revolutionary epic in more ways than one. Following a theatrical five-act dramatic structure, its story follows the mutiny of ...
30 de dic. de 2010 · Sergueï M. Eisenstein souffre sans doute de sa célébrité. Il est un cinéaste si canonique – grand-maître du montage, grand-croix du film politique – qu’il est difficile d’être devant ses films comme des spectateurs naïfs et innocents. Il suffit de lire, par exemple, les citations de Lénine qui ouvrent ses quatre premiers films ...
BEZHIN MEADOW, (aka BEZHIN LUG), unfinished film by Sergei Eisenstein made in 1937 QUE VIVA MEXICO, uncompleted film by Sergei Eisenstein. Released re-edited as THUNDER OVER MEXICO, 1933.
Sergei Eisenstein – Strike (1925). Who was Sergei Eisenstein? It is difficult to describe Eisenstein through any singular role — filmmaker, theorist, architect — as Eisenstein’s role in film history reflects a period of time where innovation in aesthetics, storytelling and technology came together from around the globe to transform the medium, and film art.
Battleship Potemkin, Soviet silent film, released in 1925, that was director Sergey M. Eisenstein’s tribute to the early Russian revolutionaries and is widely regarded as a masterpiece of international cinema. The film is based on the mutiny of Russian sailors against their tyrannical superiors.
14 de dic. de 2017 · January 23,1898, Riga, Latvia d. February 11, 1948, Moscow, USSR. Sergei Eisenstein (1898-1948) is known to film history as a “revolutionary Russian director”, a title justified by his contributions to the creation of the foundational myth of the Soviet State through his films Stachka (Strike, 1924), Bronenosets Potemkin (Battleship Potemkin, 1925) and Oktyabr (October, 1927).