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Ernst Ludwig Kirchner (6 May 1880 – 15 June 1938) was a German expressionist painter and printmaker and one of the founders of the artists group Die Brücke or "The Bridge", a key group leading to the foundation of Expressionism in 20th-century art.
Die Brücke. Ernst Ludwig Kirchner Piper fue uno de los padres del movimiento expresionista alemán (una de las primeras vanguardias) al crear el grupo expresionista Die Brücke (El puente) en 1905. Su obra se caracteriza por la simplificación formal y un uso arbitrario del color.
- Summary of Ernst Ludwig Kirchner
- Accomplishments
- Biography of Ernst Ludwig Kirchner
Ernst Ludwig Kirchner was a driving force in the Die Brücke group that flourished in Dresden and Berlin before World War I, and he has come to be seen as one of the most talented and influential of Germany's Expressionists. Motivated by the same anxieties that gripped the movement as a whole - fears about humanity's place in the modern world, its l...
The human figure was central to Kirchner's art. It was vital to the pictures that took his studio as their backdrop - pictures in which he captured models posing as well as aspects of his bohemian...Kirchner's Expressionistic handling of paint represented a powerful reaction against the Impressionism that was dominant in German painting when he first emerged. For him, it marked a reaction agai...Kirchner believed that powerful forces - enlivening yet also destructive - dwelt beneath the veneer of Western civilization, and he believed that creativity offered a means of harnessing them. This...Early Training
Ernst Ludwig Kirchner was born on May 6, 1880 in Aschaffenburg, Bavaria, and began studying architecture at the Dresden Technical High School in 1901 at the encouragement of his parents. While attending classes, he became close friends with Fritz Bleyl, who shared his radical outlook on art and nature. During this time, Kirchner chose to dedicate himself to fine art rather than architecture. In 1905, Kirchner and Bleyl, along with fellow architecture students Karl Schmidt-Rottluff and Erich H...
Mature Period
In 1906, Kirchner and Die Brücke held their first group exhibition in a lamp factory. The female nude, inspired by late-night studio meetings, was the primary subject of the exhibition. Kirchner's woodcut print, Nude Dancers (Nackte Tanzerinnen) (1909), exemplifies the energetic tone of the exhibition. The crude, graphic lines depict naked women dancing on a stage. Die Brücke ended in 1913 with Kirchner's publication of Chronik der Brücke (Brücke Chronicle), which focused on the "freedom of l...
Late Years and Death
Kirchner voluntarily joined the military in 1915, though he was released shortly after due to a nervous breakdown. He recovered in several Swiss hospitals between 1916 and 1917. Scarred by his military experience, in 1918 he moved to a farmhouse in the Alps, near Davos, where his new residence inspired a series of mountain landscapes. His reputation as a leading German Expressionist continued to grow with exhibitions in Switzerland and Germany in the 1920s. His first monograph and catalog of...
- German
- May 6, 1880
- Aschaffenburg, Bavaria
- June 15, 1938
15 de oct. de 2019 · The following three paintings, from Kirchner’s early output in Dresden to his epic landscapes depicting the Swiss Alps, show Kirchner as a total artist and pioneer of German Expressionism. His raw, truthful works offer insights intothe rapid modernization of Germany in the early 20th century; nature as a sublime and restorative ...
27 de jul. de 2021 · Art Talk: Ernst Ludwig Kirchner’s Color Woodcut Technique. July 27, 2021. Conservator and printmaker Christina Taylor demonstrates the color woodcut printing technique German artist Ernst Ludwig Kirchner used to create his dynamic 1909 print Bathers Tossing Reeds.
Fundador y principal impulsor del grupo expresionista alemán Die Brücke (El Puente), Ernst Ludwig Kirchner comenzó a pintar de forma autodidacta al tiempo que estudiaba arquitectura en la Technische Hochschule de Dresde, en la que obtuvo el diploma en 1905.
CHAPTER TWO. KIRCHNER’S. WORKING. Kirchner’s artistic vision was consistently centered on representation, even though his. PROCESS. career ran concurrent with the birth of modern abstraction.1 His aim, formulated during the.
