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  1. Avant-garde music may be distinguished from experimental music by the way it adopts an extreme position within a certain tradition, whereas experimental music lies outside tradition. In a historical sense, some musicologists use the term "avant-garde music" for the radical compositions that succeeded the death of Anton Webern in 1945 ...

    • Early to mid-20th century
  2. 2 de ene. de 2016 · Used just on its own, avant garde tends to refer to classical-derived music, whereas experimental could refer to any music that is breaking new ground (and hence maybe does not currently have another genre label!) including some avant garde music (the 'dismissive' connotation didn't stick!)

  3. The integration of avant-garde influences in popular music has resulted in experimental elements in almost every genre or sub-genre. Pop can be experimental and adhere to music theory. It's experimental nature might be the subject matter, the content, presentation or combination of several genres.

  4. David Cope also distinguishes between experimental and avant-garde, describing experimental music as that "which represents a refusal to accept the status quo". David Nicholls, too, makes this distinction, saying that "...very generally, avant-garde music can be viewed as occupying an extreme position within the tradition, while ...

  5. The Origins and Future of Experimental Music | Sound of Life | Powered by KEF. Daring artists have led the charge in experimental music and creation of avant-garde sub-genres. But where does experimental music come from, and where is it go...

  6. 14 de dic. de 2023 · The 30 Best Jazz and Experimental Albums of 2023. Our favorite unfamiliar, unsettling, provocative, transgressive, spaced-out, psychedelic, surreal, meditative, and confrontational albums of the...

  7. 28 de mar. de 2008 · Summary. Although the terms “avant-garde” and “experimental” are often used to categorize radical composers and their works, it has been noted that “‘avant garde’ remains more a slogan than a definition” (Griffiths 1980, p. 743) and that “‘experimental music’ is ill-defined and the concept it is used to describe ...