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George Grosz Explosion 1917. George Grosz's Explosion transports the horrors of World War I home, to Berlin. With a fiery glow in the background, collapsing high-rise buildings pinwheel around a black vortex. Windows shatter and smoke pours into the nighttime sky.
- George Grosz
George Grosz. Painter, draftsman, printmaker known for...
- George Grosz
George Grosz, de nombre real Georg Ehrenfried Groß (Berlín, 26 de julio de 1893-Berlín Oeste, 6 de julio de 1959) fue un pintor alemán nacionalizado estadounidense [1] de la época expresionista. Fue un miembro prominente del movimiento Dada de Berlín y de la Nueva Objetividad durante su etapa en la República de Weimar , antes de emigrar ...
- Georg Ehrenfried Groß
- Friedhof Heerstraße
Explosion. Date: 1917. Medium: Oil on composition board. Dimensions: 18 7/8 x 26 7/8" (47.8 x 68.2 cm) Credit Line: Gift of Mr. and Mrs. Irving Moskovitz. Copyright: © 2016 Estate of George Grosz. MoMA Number: 780.1963. Themes: , , Techniques: The Museum of Modern Art (MoMA) is a place that fuels creativity and provides inspiration.
George Grosz fue un pintor comprometido ideológicamente, un agitador que usaba el arte como arma en la convulsa Alemania de las primeras décadas del siglo XX. Estudió en la Akademie für Bildende Künste de Dresde entre 1909 y 1911, en la Kunstgewerbeschule de Berlín y, por último, en la Académie Colarossi de París en 1913.
Contributor. George Grosz's Explosion is an expression of the unthinkable tragedy of the first World War, and the permanent psychological, emotional and spiritual tax it collected from Grosz, and millions of others.
Hace 3 días · George Grosz. Painter, draftsman, printmaker known for pointed political satire and social criticism. Early work, from about 1914 to 1917, shows influence of Expressionism and Futurism, as well as caricature. Volunteered for war in 1914; discharged in 1915 after a sinus operation.
Born 26 July 1893 in Berlin, Germany. Died 06 July 1959 in Berlin, Germany. The artist George Grosz was a keen observer of post-war Germany and highly critical of the bourgeois philistinism of his time. Deeply affected by his wartime experience, he was accusatory and romantic, visionary and traumatised in equal measure. Table of Contents.
