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  1. Endre Antal Miksa de Toth, known as Andre de Toth (Hungarian: Tóth Endre; May 15, 1913 – October 27, 2002), was a Hungarian-American film director, born and raised in Makó, Austria-Hungary. [3] He directed the 3D film House of Wax (1953), despite being unable to see in 3D himself, having lost an eye at an early age.

  2. Sasvári Farkasfalvi Tóthfalusi Antal Mihály Tóth Endre (nacido el 15 de mayo de 1913 - fallecido el 27 de octubre de 2002) fue un director de cine estadounidense de origen húngaro, más conocido como André de Toth. Nació en Makó, Csongrád, en Hungría en tiempos del Imperio austrohúngaro.

  3. 7 de may. de 2024 · André De Toth was a Hungarian-born film and television director who gained a cult following for a number of raw, violent, and psychologically disturbing B-movies, notably Pitfall (1948), but was best known to the general public for House of Wax (1953), widely considered the best of the early 3-D.

  4. André De Toth. Writer: The Gunfighter. Although he obtained a law degree from the Royal Hungarian University, Andre De Toth decided to become an actor, and spent several years on the stage. He then entered the Hungarian film industry, obtaining work as a writer, editor, second unit director and actor before finally becoming a director.

  5. Sasvári Farkasfalvi Tóthfalusi Antal Mihály Tóth Endre (nacido el 15 de mayo de 1913 - fallecido el 27 de octubre de 2002) fue un director de cine estadounidense de origen húngaro, más conocido como André de Toth. Nació en Makó, Csongrád, en Hungría en tiempos del Imperio austrohúngaro.

  6. André De Toth. Writer: The Gunfighter. Although he obtained a law degree from the Royal Hungarian University, Andre De Toth decided to become an actor, and spent several years on the stage. He then entered the Hungarian film industry, obtaining work as a writer, editor, second unit director and actor before finally becoming a director.

  7. 21 de mar. de 2003 · Based on his Hungarian films, the production work for Korda and writing he had done on American projects during earlier stints in Los Angeles, de Toth was given an oral contract as a director at Columbia from which he ultimately extricated himself by litigation.