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25 de mar. de 2024 · Filippo Tommaso Marinetti (born December 22, 1876, Alexandria, Egypt—died December 2, 1944, Bellagio, Italy) was an Italian-French prose writer, novelist, poet, and dramatist. He was the ideological founder of Futurism, an early 20th-century literary, artistic, and political movement.
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Filippo Tommaso Emilio Marinetti was born on December 22,...
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5 de abr. de 2024 · Filippo Tommaso Marinetti, an Italian poet and writer, is widely regarded as the founder and leading figure of the Italian Futurist Movement. Born in 1876 in Alexandria, Egypt, Marinetti was deeply influenced by the rapid industrialization and technological advancements of the time.
10 de abr. de 2024 · Filippo Tommaso Marinetti. “Il sentimento.” Text read by Marinetti at “La sera del 3 gennaio XVI al Teatro Adriano di Roma.” [8629-1] Contributor Marinetti, F. T., 1876-1944 Extent 1 slide 2 x 2 in. b&w Extent of Digitization This object has been completely digitized.
10 de abr. de 2024 · Spearheaded by Filippo Tommaso Marinetti, it sought to break away from traditional artistic conventions and embrace the rapid advancements of the modern world. Marinetti, a poet and writer, played a pivotal role in shaping the movement's ideology and establishing its core principles.
2 de abr. de 2024 · The Futurism art movement was founded by the Italian poet Filippo Tommaso Marinetti in 1909. Marinetti wrote the Futurist Manifesto, which called for the destruction of traditional art forms and the celebration of the modern world.
Hace 6 días · Futurism was first announced on February 20, 1909, when the Paris newspaper Le Figaro published a manifesto by the Italian poet and editor Filippo Tommaso Marinetti. Marinetti coined the word Futurism to reflect his goal of discarding the art of the past and celebrating change, originality, and innovation in culture and society.
22 de mar. de 2024 · This movement, known as Futurism, originated in Italy when poet Filippo Tommaso Marinetti published his "Futurist Manifesto" in 1909. Marinetti's manifesto, published in the French newspaper Le Figaro, called for a rejection of the past and a new aesthetic that embraced the possibilities of the future.
