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11 de nov. de 2020 · What singles out Liszt’s hands is the small amount of connective tissue between the fingers that only begins at the very base of each finger making large spans on the piano easily achievable. It may also account for the astonishing dexterity Liszt displays in his piano music.
- Franz Liszt
Franz Liszt Biography. Franz Liszt (1811 – 1886) was a...
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- Franz Liszt
26 de jul. de 2019 · How far could the great pianists stretch their hands? We take a look at just how big the hands of the star virtuosos were, from Rachmaninov to Liszt and Barenboim to Lang Lang.
13 de sept. de 2022 · Read full article here: https://www.cmuse.org/franz-liszt-hands/For pianists and admirers of famous piano players, the question often arises about hand size ...
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Franz Liszt [n 1] (22 October 1811 – 31 July 1886) was a Hungarian composer, virtuoso pianist, conductor and teacher of the Romantic period. With a diverse body of work spanning more than six decades, he is considered to be one of the most prolific and influential composers of his era, and his piano works continue to be widely performed and ...
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- The Origins of Liszt’s Technique
- During The First Half of 1800
- From The 1900s
- While in Russia
- Back in Germany
- Conclusion
A pianist fingers It had been trained with the Viennese school. His teacher Czernyinstructed Liszt to use fingers and wrist only. Yet the knuckles, wrist and forearm were to follow a straight line without slanting. Plus the stool had to be proportioned so the ends of the elbows would be an inch above the keys. This method of playing was suited to k...
There wasn’t a great deal of wide knowledge into using the arm-weight technique. Only from the end of the century did it appear more frequently. Pianist William Mason had studied with Dreyschock and Liszt. He didn’t recall anything said about the arm weight. However, they did place importance on the wrist and ‘sought for a more orchestral manner of...
Contemporary piano music There came a spreading theory that Liszt had founded the arm weight technique. Accounts by Breithaupt, (a leading advocate of the arm weight school), Harold Schonberg’s book ‘The Great Pianists‘ and Bertrand Ott’s ‘Lisztian Keyboard Energy‘. They state about Liszt bring the first aware of an arm weight technique with loose ...
The principal technique had come from Irish pianist Field (who was trained by Hummel’s classical method). Originally there was a clash between the Russian conservatories: The refined Classical finger work of Field and the disapproval of Liszt’s style. However, this new Liszt tradition had greatly influenced pianists such as Anton Rubinsteinand Bala...
Two particular close students of Liszt: Stavenhagen and Kellermann. Both were professors at the Royal Academy of Music in Munich. Stavenhagen had succeeded Liszt at Weimar and Kellermann before was secretary to Wagner. Liszt commenting on Kellermann ‘if you want to know how to perform my works… ask Kellermann- he understands me’. From direct accoun...
This goes to show that for Liszt’s technique, the Classical method from Czerny was always central to Liszt’s playing. Plus the addition of other techniques developed at the time- including elements borrowed from Thalberg and Dreyschock. Although Liszt may have been influenced by Paganini to use difficult and innovated techniques in their playing, t...
Franz Liszt (Raiding, Imperio austríaco, 22 de octubre de 1811-Bayreuth, Imperio alemán, 31 de julio de 1886) fue un compositor austrohúngaro romántico, [1] un virtuoso pianista, director de orquesta, profesor de piano, arreglista y seglar franciscano.
Davies J. 6. Franz Liszt, Metapianism, and the Cultural History of the Hand. In: Romantic Anatomies of Performance. Berkeley: University of California Press; 2014. p.152-179. https://doi.org/10.1525/9780520958005-009
