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  1. Full Fathom Five is one of Pollocks earliest “drip” paintings. While its lacelike top layers consist of poured skeins of house paint, Pollock built up the underlayer using a brush and palette knife. A close look reveals an assortment of objects embedded in the surface, including cigarette butts, nails, thumbtacks, buttons, coins, and a key.

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  2. Full Fathom Five is one of the earliest masterpieces of Pollock's drip technique. The actual origins and initial development of this technique have never been fully explained, except by reading back from fuller photographic evidence produced about 1950, two or three years after this work was painted.

  3. Full fathom Five exhibe un estilo artístico característico de Jackson Pollock, marcado por la abstracción expresionista y el action painting. En esta obra, Pollock utiliza la técnica del dripping de manera intensa y descontrolada, creando un mundo caótico y en constante movimiento en el lienzo.

  4. Corales son ya sus huesos, perlas sus ojos./. Nada de él se ha dispersado./. Todo él en mar se ha transformado/ y es todo hermoso, y es todo extraño». Full Fathom Five, pintura de Jackson Pollock, en el invierno entre 1946 y 1947, Jackson Pollock introdujo un cambio significativo en su obra...

  5. 16 de jul. de 2002 · Full Fathom Five is one of the earliest masterpieces of Pollock's drip technique. The actual origins and initial development of this technique have never been fully explained, except by reading back from fuller photographic evidence produced about 1950, two or three years after this work was painted.

  6. Full Fathom Five es una de las primeras pinturas de Pollock realizadas con su técnica de dripping. Su superficie está cubierta de una serie de objetos provenientes del estudio de Pollock, como clavos, cerillas, colillas, monedas y una llave.

  7. View all 90 artworks. Added: 27 Mar, 2024. ‘Full fathom five’ was created in 1947 by Jackson Pollock in Action painting style. Find more prominent pieces of abstract at Wikiart.org – best visual art database.