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En este punto, Raymond O'Sullivan -no así Gilbert- fue utilizado solo como compositor y cantante prometedor en ciernes. Entra Gordon Mills, mánager de MOR y de las superestrellas Tom Jones y Engelbert Humperdinck, En 1969, O'Sullivan tiene un acercamiento con Mills y se inicia una relación de sus canciones por un año y la mitad del siguiente, uniendo ambos fuerzas.
- Raymond Edward O'Sullivan
- Raymond O'Sullivan
Gilbert O'Sullivan (born Raymond Edward O'Sullivan 1 December 1946) is an Irish singer-songwriter who achieved his most significant success during the early 1970s with hits such as "Alone Again (Naturally)", "Clair" and "Get Down".
- Raymond Edward O'Sullivan
- Singer-songwriter
- Vocals, piano
- 1 December 1946 (age 76), Waterford, Ireland
The Very Best of Gilbert O'Sullivan: A Singer & His Songs: Released: 12 March 2012; Formats: CD, MP3 — — — EPs. Release date Titles 1972
Release DateA-sideB-sideFebruary 2016"No Way"-June 2015"Made in Love"-March 2013"Me Mum"-July 2008"Never Say Di"-- 15
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A pesar de todo, O’Sullivan grabó discos de entidad como “I’m a Writer, Not a Fighter” (1973) y singles como “Ooh Baby” (número 18) o “Why, Oh Why Oh Why” (número 6). Lo que al principio eran sonrisas, abrazos y apretones de manos entre Gilbert y Mills terminó convirtiéndose con el tiempo, como suele pasar frecuentemente, en zancadillas y malos modos.
Raymond Edward O'Sullivan, conocido como Gilbert O'Sullivan, es un cantante y compositor irlandés. Entre sus canciones más recordadas se encuentran sus éxitos de los setenta; «Alone Again (Naturally)», «Clair» y «Get Down». La revista Record Mirror en 1972 lo situó como el mejor cantante británico masculino.
O'Sullivan commented: “Neil Diamond covered 'Alone Again (Naturally)' and said he couldn't believe a 21-year-old wrote it, but for me it was just one song I had written.” [8] Neil Sedaka stated when he covered the song in 2020 that he wished that he himself had written the song, because its complexity was more typical of someone much older than 21.
Gilbert O'Sullivan's original intention was to record the album with just piano and voice, but Mills persuaded him to use full instrumentation and string arrangements. In a 1971 interview, O'Sullivan elaborated: "Gordon says work up to it gradually so probably by the time of my third album it will be done like that.
