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Godzilla Earth Vs Void Ghidorah Full Fight/ HOLLOW EARTH Godzilla/Surprise Extended Animation Hi, guys! This video is an extended version of the fight between Godzilla Earth and...
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10 de feb. de 2020 · Godzilla: King of the Monsters (2019) Scene: Nuclear Godzilla vs King Ghidorah Playlist: https://is.gd/s1idMm Storyline: The crypto-zoological agency Monarch faces off against a battery...
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Godzilla confronts archnemesis King Ghidorah in a cataclysmic, time-transcending battle for the fate of Earth's future. Read More.
- Overview
- Name
- Design
- Personality
- Origins
Godzilla Earth (ゴジラ・アース, Gojira Āsu?), also simply known as Godzilla (ゴジラ, Gojira?), and Scarlet Godzilla Earth (緋色のゴジラ・アース, Hiiro no Gojira Āsu?) is the first Godzilla of the AniGoji continuity, and the second Godzilla within the Reiwa era of films.
This Godzilla made his first formal appearance in the prequel novel, Godzilla: Monster Apocalypse, where it's detailed how Godzilla arose in 2030 and proceeded to lay waste to both humanity and the planet's monster population over the course of 18 years.
He appeared again in the sequel novel, Godzilla: Project Mechagodzilla, where the aftermath of Monster Apocalypse is explored. During the events of this novel, Godzilla also came into contact with Battra, Mothra, Gigan, and even destroyed an incoming celestial body.
Godzilla Earth then appeared in the 2017 film, Godzilla: Planet of the Monsters, where he acted as the overarching antagonist, having been awoken in the film's ending moments.
He appeared in the film's 2018 sequel, Godzilla: City on the Edge of Battle as the central antagonist, where he encountered Mechagodzilla in city form, and those who built it.
He made his final appearance in the 2018 film, Godzilla: The Planet Eater as the anti-villainous deuteragonist, where he came into contact with King Ghidorah.
The name "Godzilla" is a transliteration of Gojira (ゴジラ?), a combination of two Japanese words: gorira (ゴリラ?), meaning "gorilla", and kujira (鯨 or クジラ), meaning "whale".
According to the website for the anime trilogy, this Godzilla's designation is officially Godzilla Earth (ゴジラ・アース, Gojira Āsu?). This is apparently to symbolize how Godzilla rules over, or has ruled over the planet for 20,000 years.
The dubbing of Scarlet Godzilla Earth (緋色のゴジラ・アース, Hiiro no Gojira Āsu?) comes from a GifMagazine promotional gif, which labels the monster as such. This comes from City on the Edge of Battle's ending, which had Godzilla Earth becoming laced with scarlet, fire-like energy.
It should be noted that this only denotes a change in aesthetic, over a new, notable form in the vein of Fire Rodan (ファイヤーラドン, Faiyā Radon?), and Godzilla is shown shifting between it and his more normal form during City on the Edge of Battle and The Planet Eater.
Appearance Design
The 2017 design of Godzilla follows in the footsteps of his 2016 predecessor by incorporating elements of past designs within its own, in this case, that of the 2014 Godzilla incarnation. Differences in his design boil down to the dorsal plates being much more spiky and frayed in appearance, almost looking like a hybrid between the 2014 and 2016 designs for Godzilla's dorsal spines. The statue for this design depicts them as much more leaf-like in aesthetic, even possessing veins, further solidifying his origin from plant-based organisms. Said dorsal plates run all the way down to his tail. This Godzilla also looks like he has exposed musculature over his entire body in a manner similar to the 2016 Godzilla. However, this Godzilla deviates from looking like pure muscle, and instead bears more of a likeness towards the roots of plants, with moss-like details being prevalent on his feet as well. Oddly enough, this Godzilla's foot design is biologically similar to that of a human's: featuring a similar arch between the toe and heel (or calx pads) as well as a similar toe arrangement. The leg design is overall similar to that of the Heisei era Godzilla: featuring a simple thigh and shin build, over being digitigrade. The torso resembles that of the GMK Godzilla, along with some of the 2014 Godzilla incarnation’s characteristics. The head of this Godzilla bears more than a passing resemblance to the 2014 Godzilla, but features a much more natural, and normal shape, almost akin to that of a sea turtle when looked at head-on. Despite this, he possesses a slight underbite, with the lower jaw being marginally thicker and more built up than the upper jaw. His eyes are a low blue in coloration, and interestingly enough, this Godzilla lacks natural teeth, instead having tooth-like appendages forming from his skin. The mouth of this Godzilla also possesses an odd, unintentional smile, with the back of his lips curving upwards. This Godzilla's skin tone is a deep green in coloration, making this the first green Godzilla since 1999's MireGoji design. It was confirmed that this Godzilla would also exceed the already enormous size of the Godzilla from the Shin Godzilla continuity family, coming in at 300 meters, something that would be described in the film as well. The basic concept of the design was inspired from large trees, especially sacred trees in Shintoism. Additionally, it was aimed to be a realization of imaginary creatures like dragons, not to emphasize biological reality, but instead aiming for surreal aesthetics. According to the director, Godzilla's physique was based on a sumo wrestler, depicting "a beautiful form of sumo". On the other hand, his head was designed to be not carnivorous in appearance, this included an integration of his teeth with its jaws, along with a rather calm expression. The head was designed to be considerably small in size compared to his body. His expression was aimed to "be dignified like a God", with another aesthetic design choice hearkening to a philosopher of ancient Greece, with combed back hair. The protrusions on Godzilla's head were designed from a general image of the latter. His eyes were designed to be "very gentle and calm, and not being fierce" while resembling a cat's eye, with eyelashes being added to emphasize a tender nature. His skin was inspired by gregarious moss plants on a surface, and his dorsal plates were designed on the basis of leaves from holly trees and included vein-like lines. As he lived, and adapted over the course of 20,000 years, in comparison to his offspring Godzilla Earth's appearance can be seen as much rougher and more detailed, akin to tree bark or mountainous and rocky terrain, rather than smooth and unrefined. After the unsuccessful attack by the humans and Bilusaludo at Mechagodzilla City, Godzilla's skin became heated, with vein-like fire lacing new cracks in his hide, while his eyes become yellow. Labelled Scarlet Godzilla Earth (緋色のゴジラ・アース, Hiiro no Gojira Āsu?), this form would also be unsuccessfully used during the events of The Planet Eater, as Ghidorah attacked and siphoned power from Godzilla.
Portrayal
Godzilla was portrayed through the use of CGI, much like his 2014 and 2016 counterparts.
Roar
This Godzilla shares a roar with the Millennium series' Godzilla incarnations, having used the roar as he finally awakens. He, like Filius also emitted low growling and snarling noises. In The Planet Eater, Godzilla uses a pitch-shifted version of Godzilla's long roar from the Showa era when he is under attack by Ghidorah.
Godzilla is portrayed as highly intelligent, being able to outsmart humans, and think of physical counters to threats he encountered. When confronted with potentially grave injuries at the hands of the Bilusaludo and their technology, Godzilla didn't succumb to the same fate his offspring did, and instead attempted to wage a war of attrition over power.
However, despite being presented as highly aggressive, Godzilla became extremely mellow and passive once most of humanity as an advanced civilization was wiped out, and most monster threats were ended. In addition, he did not go after the egg of the Houtua's god, nor the Houtua themselves, implying that humanoids and certain monsters could co-exist just fine with Godzilla, provided they didn't harm him or the planet.
Furthermore, Godzilla's passive nature would be exemplified during the films, as he would remain resting for the majority of the trilogy, and would only be awoken by large potential threats and events, those being the demise of Godzilla Filius, the reactivation of Mechagodzilla and it's nanometal, and Ghidorah's descent unto the planet. This would make every Godzilla attack seen retaliatory in origin, and would also put a monster in the place of being an ironic antihero, as every event he woke up to and stopped would've had negative ramifications for everyone involved.
While Metphies portrayed the monster as one that would never let humanity flee, it seems more likely that given the monster's actions, it's simply a deified, but natural means of the Earth defending itself. Almost personifying Earth, Godzilla thus acts as a "hard reset" function for the planet, effectively remaking it into a more prehistoric and primal version of itself to begin anew, which fits in with his neutral stance on attacking things, be it humanity or extraterrestrial threats.
People's foolish actions gave birth to these giant monsters - or so we were told. But what if that's wrong? Think about Earth's ecosystem on a bigger scale - what if everything we created - all the technology - was not for humanity? But to give birth to these creatures we call "Monsters" - you could see it like that. Maybe humans were puppets, used to birth giant creatures - like this one in front of us.
― Martin Lazzari speculating about Godzilla's nature.
This Godzilla, much like the ones from the 2014 film, Godzilla and the 2016 film, Shin Godzilla, features a new, revamped origin; originating from plant-based lifeforms, he is said to be the "end result of natural selection on Earth", and has gone on to live and dominate the planet for 20,000 years.
It has been speculated that Godzilla is a plant-based mutant which ingested a massive amount of metal elements during the process of its growth.
Godzilla vs. King Ghidorah (ゴジラ VS キングギドラ, Gojira tai Kingu Gidora?) is a 1991 tokusatsu kaiju film producd by Toho Company Ltd., and the eighteenth installment in the Godzilla series, as well as the third in the Heisei series. The film was released to Japanese theaters on December 14, 1991.
Godzilla vs. King Ghidorah. Time-travelers' efforts to prevent a dinosaur's mutation result in the creation of a three-headed dragon that terrorizes Japan.
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