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Answer: By synchronizing the strong beats of the bar with the strong tones of a chord scale. The Release beats of a bar (“one” & “three” and the “on” beats of every quarter note) are the strong beats for the bar. The Tension beats of the bar ( “two” & “four” and the “ands” of each quarter note) are the weak beats of the bar.
Suddenly the melody we hear is different, what Galper calls the "true melody," and it has forward momentum. The point is: the strong beats, the notes of our half note melody, come at the end of phrases.
- Hal Galper
Harmonic Forward Motion details the advanced technique of spelling out chord changes in advance of where they are written and how to make them work within a solo line. It illustrates how current transcriptional analysis leads to misconceptions about how a soloist has spelled out the chord changes.
