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  1. 8 de mar. de 2021 · After the Boston Massacre, Pelham produced an engraving titled The Fruits of Arbitrary Power, or The Bloody Massacre. Henry lent a copy of his picture to his friend Paul Revere. Revere made a copy of this and printed his own...The Bloody Massacre Perpetrated in King Street Boston on March 5th, 1770.

    • Paul Revere
    • Henry Pelham's Engraving
    • Differences Between Revere's and Pelham's Engravings
    • Jonathan Mulliken
    • Based on Henry Pelham
    • Two Nineteenth Century Depictions of The Event

    Paul Revere's engraving is commonly believed to have been based on an engraving by Henry Pelham, a Boston painter and engraver. Although Pelham created his image, The Fruits of Arbitrary Power first, somehow Revere, working from Pelham's rendition of the scene, created, advertised, and issued his own version, The Bloody Massacre, ahead of Pelham's....

    Henry Pelham's depiction of the Boston Massacre, The Fruits of Arbitrary Power, Or the Bloody Massacre, was published in the spring of 1770. Pelham--despite having created what was probably the first illustration of the event on 5 March 1770--lost out on the fame and fortune of having done so when Paul Revere got his print to market first. Pelham's...

    Although at first glance the engravings of Revere and Pelham appear to be quite similar, on closer inspection there are a number of differences that allow us to distinguish them. In Pelham's print, the moon in the top left-hand corner faces to the right, whereas it faces to the left in Revere's version. Pelham's version shows eight columns in the c...

    Jonathan Mulliken, a clock-maker from Newburyport, Mass., created his own rendering of the scene, after Revere's print. Although it also appeared in 1770, Mulliken's version had enough variations, such as only six columns in the cupola, that it was clearly struck from a different plate. The Bloody Massacre Perpetrated in King Street Boston on March...

    An English reprint of Henry Pelham's engraving appeared on a broadside published by W. Bingley in London in 1770. The title and image are both similar to Pelham's engraving, and the text is drawn from both Pelham's and Revere's engravings. MHS's copy of the Bingley reprint was originally folded and bound within the pamphlet, A Short Narrative of th...

    The importance of the Boston Massacre did not fade over time, and images of that night in March of 1770 continued to be created, published, and distributed decades later. One example, an engraving by Alonzo Hartwell that was published in 1838, was based on Revere's engraving. Another example, a lithograph published in 1856, presents a different int...

  2. Pelham's 1770 engraving The Fruits of Arbitrary Power, or The Bloody Massacre, an engraving depicting the Boston Massacre that was copied and sold by Paul Revere. Henry Pelham (February 14, 1748/49 – 1806) was an American painter, engraver, and cartographer active during the late 18th century.

  3. 16 de ago. de 2021 · On March 5, 1770, a mob of Bostonians harassed a lone British soldier on sentry duty at the Customs House, and when seven more British troops came to his protection, they were pelted by snowballs...

    • Dave Roos
  4. 19 de mar. de 2020 · Following the event, patriot Paul Revere made an engraving based on an illustration by Henry Pelham of the event and labeled it with the provocative title: “The Bloody Massacre.”. The image depicted a line of British soldiers firing in unison on an unarmed crowd in front of the State House.

  5. Documentation has come to light over the years indicating that Revere copied engraver Henry Pelham's drawings of the Massacre, produced his own engraving, and three weeks after the occurrence was advertising his prints for sale in Boston's newspapers. By the time Pelham's prints hit the street, Revere's print had flooded the market.