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  1. John Everett Millais bei Google Arts & Culture; Suche nach John Everett Millais In: Deutsche Digitale Bibliothek; Suche nach „John Everett Millais“ im Online-Katalog der Staatsbibliothek zu Berlin – Preußischer Kulturbesitz (Achtung: Die Datenbasis hat sich geändert; bitte Ergebnis überprüfen und SBB=1 setzen)

  2. 25/05/2022 · List of Famous Sir John Everett Millais Paintings. Please see below for a summarised list of the best Sir John Everett Millais paintings that are featured throughout this website. Isabella; A Huguenot on St Bartholomew's Day; Christ In The House Of His Parents ; The Return of the Dove to the Ark ; Ophelia; Ferdinand Lured by Ariel; The Order of ...

  3. › wiki › Effie_GrayEffie Gray - Wikipedia

    Euphemia Chalmers Millais, Lady Millais (née Gray; 7 May 1828 – 23 December 1897) was a Scottish artists' model and the wife of Pre-Raphaelite painter John Everett Millais. She had previously been married to the art critic John Ruskin , but she left him with the marriage never having been consummated ; it was subsequently annulled .

  4. Bubbles, originally titled A Child's World, is an 1886 painting by Sir John Everett Millais that became famous when it was used over many generations in advertisements for Pears soap. During Millais's lifetime it led to widespread debate about the relationship between art and advertising.

  5. 29/04/2022 · Ophelia (1851-1852) by John Everett Millais; John Everett Millais, Public domain, via Wikimedia Commons. Millais did not devote as much time to painting the image of Ophelia as he did to painting the countryside. Historically, the environment was thought to be the least essential aspect of a picture and hence painted last.

  6. › art › art-termsPre-Raphaelite | Tate

    Its principal members were William Holman Hunt, John Everett Millais, and Dante Gabriel Rossetti. After initial heavy opposition the Pre-Raphaelites became highly influential, with a second phase of the movement from about 1860, inspired particularly by the work of Rossetti, making major contribution to symbolism

  7. Landscape Composition: Saint John in the Wilderness: 1827 Oil on canvas 91.4 by 73.5 centimetres (36.0 in × 28.9 in) Wadsworth Atheneum, Connecticut Lake Winnepesaukee: c. 1827 – c. 1828: Oil on canvas 64.8 by 87 centimetres (25.5 in × 34.3 in) Albany Institute of History & Art, New York Expulsion: Moon and Firelight: c. 1828