L'apparition du néo-classicisme s'inscrit d'abord dans un large rejet du style rococo qui marque l'Europe du siècle des lumières. Pour les Allemands empreints de sentiments anti-français, parce qu'il représente le règne de Louis XV et ses extravagances, pour les Anglais de tradition anglicane, qui prônent un retour à la simplicité, parce qu'il est le dernier représentant d'une ...
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Through mythological and literary-inspired works such as Pity, Blake would exert an immense influence on the course of post-Romantic art, including on the Pre-Raphaelites, who often drew on literary and Shakespearean themes, as in John Everett Millais's Ophelia (1851) and John William Waterhouse's Miranda (1916).
Widely available prints of classical sculptures and painted Greek pottery helped to shape this bias, which can be clearly seen in the simplified illustrations made by the English sculptor John Flaxman (1755-1826) for editions of works by Homer and Aeschylus.
Peasant paintings increased dramatically in the 19th century due partly to comprehensive land reforms and demographic shifts. Some artists portrayed the grittier aspects of peasant life in order to stimulate sympathy, while others reassured urban viewers that peasants still lived in symbiotic harmony with the land as they supposedly always had.
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