Yahoo Search Búsqueda en la Web

Resultado de búsqueda

  1. Hace 4 días · Rhino’s acclaimed The Asylum Albums (1972-1975) boxed set from 2022 returns as part of the ongoing Quadio series. The Asylum Albums (1972-1975) [Quadio] features remastered Hi-Res Stereo, Dolby Atmos mixes by Grammy® Award Winning producer Ken Caillat and Claus Trelby, and Quad Mixes of For The Roses (1972), Court And Spark (1974), Miles Of Aisles (1974), and The Hissing Of Summer Lawns (1975).

  2. 18 de abr. de 2024 · Order HERE. The cover art for The Asylum Albums (1972-1975) [Quadio] features a painting by Mitchell. The set also includes an essay by friend and fellow Canadian Neil Young. He writes: “Joni’s music is so deep and transporting. She comes right from the source. There is no mistaking it…

  3. 30 de abr. de 2024 · The cover art for The Asylum Albums (1976-1980) includes a portion of one of Mitchells original paintings. Fans will enjoy a full version of the whimsically abstract landscape as an accompanying insert included in the album packaging for both the CD and LP configurations.

  4. 23 de abr. de 2024 · Art Inquiry: Joni Mitchell, Los Angeles, “Joni!!”, Norman Seeff 1972, printed later. Archival Pigment Photograph on Entrada Rag Paper. 28 x 42 in

    • Norman Seeff
  5. 30 de abr. de 2024 · The collection will feature cover art of a Mitchell landscape painting and include an essay written by lifelong Mitchell fan, Oscar-winner Meryl Streep. “It’s not just the artifact – music and lyrics – that Joni gives us. Her artistry leaves us, ourselves, changed,” writes Streep. “She has shifted things around inside us.

  6. Hace 4 días · Joni Mitchell (born November 7, 1943, Fort McLeod, Alberta, Canada) is a Canadian experimental singer-songwriter and one of the foremost folk music artists of the late 20th century. Her music reached its greatest popularity in the 1970s but has continued to be influential among 21st-century musicians.

  7. 26 de abr. de 2024 · Mitchell was not as meticulous about her guitar playing as she was about her vocals, Sorkin notes, so sometimes she would play live with the other musicians. Although he can’t recall definitively whether she did so on “Free Man in Paris,” if she did, she would have been playing acoustic along with Larry Carlton on electric guitar, creating the song’s notable audio blend.