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Lady Lilith es un óleo sobre lienzo de Dante Gabriel Rossetti pintado por primera vez entre 1866 y 1868 empleando como modelo a su amante Fanny Cornforth, siendo la obra alterada en 1872 con el fin de mostrar el rostro de Alexa Wilding. La pintura se exhibe actualmente en el Museo de Arte de Delaware. Réplica de Lady Lilith, por ...
- Dante Gabriel Rossetti
- Delaware Art Museum (Estados Unidos)
Lady Lilith is an oil painting by Dante Gabriel Rossetti first painted in 1866–1868 using his mistress Fanny Cornforth as the model, then altered in 1872–73 to show the face of Alexa Wilding. The subject is Lilith , who was, according to ancient Judaic myth, "the first wife of Adam " and is associated with the seduction of men ...
- 96.5 cm × 85.1 cm (38.0 in × 33.5 in)
- Dante Gabriel Rossetti
- 1866–1868, 1872–73
- Delaware Art Museum, Wilmington, Delaware
Lady Lilith es una pintura al óleo de Dante Gabriel Rossetti creada originalmente entre 1866-1868 utilizando como modelo a su amante Fanny Cornforth y alterada entre 1872-1873 para mostrar la cara de Alexa Wilding.
- Delaware Art Museum, Wilmington, DE, US
The artist’s mistress, Fanny Cornforth, is the sitter in this watercolor, which Rossetti and his assistant Dunn based on an oil of 1866 (Delaware Art Museum). Public Domain.
Función de Fanny Cornforth en el arte Prerrafaelita. Aparece en al menos 60 óleos, acuarelas, pasteles o dibujos a lápiz de Rossetti. Las pinturas incluyen: Lady Lilith. Bocca Baciata, por Rossetti (1859) Lucrezia Borgia, por Rossetti (1861) Fair Rosamund (1861) Fazio Mistress (Aurelia) (1863–73) La cinta azul (1865) Lady Lilith (1867)
- Británica
Role of Fanny Cornforth in Pre-Raphaelite art. She sat for circa 60 oils, watercolours, pastels or pencil drawings by Rossetti. These include: Lady Lilith, 1867. Bocca Baciata, by Rossetti (1859); Fanny Cornforth, graphite on paper (1859); Lucrezia Borgia, by Rossetti (1861); Fair Rosamund (1861); Fazio's Mistress (Aurelia) (1863 ...
The major alteration at this stage was the substitution of Fanny Cornforth's face as Lilith with the face of Alexa Wilding (see Rossetti-Leyland Correspondence 8, 14-17, 27-37 passim). This last change has been all but universally deplored; Edelstein is one of the few who hold a contrary view.
